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Pop rozebrany przez swoich zalotników – performance Double Vision jako synteza światła i dźwięku

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Stasiowska J.
Estetyka i Krytyka
|
2015
|
issue 4(39)
55-70
EN
The article focuses on the electromagnetism in the avant-garde practices in visual and sound art. It refers to perspective presented by Douglas Kahn in Sound Earth Signal: Energies and Earth Magnitude in the Arts (2013) proposing to analyse light in terms known from music. Using the notion of lived electromagnetism in the article I analyse electronic music perfor-mance Double Vision. The project emerged from Robin Fox’s and Uwe Schmidt’s co-operation aims to create experience of pop concert, that becomes a subject of audio-visual deconstruc-tion.
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