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POLISH CENTRAL MUSEUM REPOSITORY FOR GDAŃSK VOIVODESHIP. PART 2: IN SOPOT AND IN OLIWA

100%

Kamińska L. M.

Muzealnictwo

2019

vol. 60

256-266

The second part of the paper on the repositories located in Sopot and Gdańsk-Oliwa refers to the articles on Polish conservation and museum repositories published in the previous issues of the ‘Muzealnictwo’ Annual, particularly in the 2018 issue No. 59. The paper covers the period 1945–1949, in which the first stage of the transport of the artistic collections to the Polish Central Museum Repository in the Gdańsk Voivodeship (PCZM) took place. Established in 1945 by the Ministry of Culture and Art (MKiS) and the Central Directorate of Museums and Collection Protection (NDMiOZ), the institution was meant to collect moveable heritage that on the grounds of the decrees issued at the time was becoming property of the Treasury of State. The main PCZM’s seat was located in Sopot, the second in Gdańsk-Oliwa. The activity of the Repository is described, and so are the responsibilities of its staff and management, number of monuments collected at a given period, operation principles, administrative reporting, financing, outlays on the edifices of the Repository buildings. Furthermore, legal and political conditioning for PCZM’s operations are given. The issued decrees and ordinances changing the political regime in the country are given; they had a direct impact on the property collected at the Repository: abandoned, former German, and former manorial and on its ownership transfer. Moreover, extracts from instructions, orders, and circulars issued by the then administration, and affecting PCZM’s goals and operating are quoted; additionally, localities from which objects were transferred to PCZM are given, and sources to further investigate the topic are pointed to.

WAWELSKA I WARSZAWSKA – NAJWIĘKSZE POWOJENNE SKŁADNICE PRZEMIESZCZANYCH DÓBR KULTURY W POLSCE. PRZYCZYNEK DO SZERSZEGO OPRACOWANIA

80%

Kamińska L. M.

Muzealnictwo

2017

vol. 58

249-256

The article continues the text Post-war repositories for relocated cultural goods in Poland, published in 2016 in the 57th issue of “Museology”. It is based on unpublished archival sources, as a result of basic research. It refers to the first two main repositories, i.e. at the Royal Castle State Art Collections at Wawel Castle and in the National Museum in Warsaw including its branches founded in 1945 in Wilanów, Nieborów and Łowicz. This is the first and preliminary description of the theme. It covers the results of the so-called requisition campaign, enumerates the transports and the directions from where they came, and the number of chests with cultural goods transported to Wawel and to the National Museum in Warsaw. It examines the complexity of problems then faced by museum professionals who salvaged cultural goods in opposition to the activities of the state administration, and it describes their consequences. It describes the registration activities in repositories. The issues treated still require further elaboration. The author does not tackle the legal aspects of moving cultural goods, such as the aspect of their ownership. The article may serve as an incentive to other researchers to investigate the problem in greater depth.

Artykuł ten jest kontynuacją tekstu Powojenne składnice przemieszczanych dóbr kultury w Polsce opublikowanego w 2016 r. w 57. numerze „Muzealnictwa”. Powstał w większości na bazie niepublikowanych źródeł archiwalnych jako wynik badań podstawowych. Odnosi się tylko do dwóch pierwszych wielkich składnic: w Zamku Królewskim – Państwowych Zbiorach Sztuki na Wawelu (PZSW) i w Muzeum Narodowym w Warszawie (MNW), w tym również w utworzonych w 1945 r. oddziałach MNW: w Wilanowie, Nieborowie i Łowiczu. Jest to pierwsze, wstępne opracowanie tematu. Zawiera wyniki tzw. akcji rewindykacyjnej, wymienia transporty i kierunki, z których przybyły, liczby skrzyń z dobrami kultury przewiezione na Wawel i do MNW. Przybliża złożoność problemów, z jakimi zmagali się ówcześni muzealnicy ratujący dobra kultury w przeciwstawieniu do działań administracji państwowej oraz sygnalizuje ich następstwa. Charakteryzuje działania ewidencyjne w składnicach. Podejmowane zagadnienia wciąż wymagają szerszego omówienia. Autorka nie zajmuje się aspektem prawnym, w tym własnościowym, przemieszczanych dóbr kultury. Artykuł może pełnić rolę zachęty do zgłębiania tego tematu przez innych badaczy.

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2 Muzealnictwo

2 Kamińska L. M.

1 2019

1 2017

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POLISH CENTRAL MUSEUM REPOSITORY FOR GDAŃSK VOIVODESHIP. PART 2: IN SOPOT AND IN OLIWA

WAWELSKA I WARSZAWSKA – NAJWIĘKSZE POWOJENNE SKŁADNICE PRZEMIESZCZANYCH DÓBR KULTURY W POLSCE. PRZYCZYNEK DO SZERSZEGO OPRACOWANIA