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EN
The reinforced manor house at Jakubowice Końskie has been revealed as late as in 1963 during on-the- spot surveys conducted in connection with editorial works .aimed at preparing the publication of a consecutive issue of Catalogue of Monuments of Art in Poland covering the territory of Lublin district. An analysis of architectural forms and styles present in object, the preserved architectural detail (as, for example, the Gothic brick bond in walls, the ashlar quoins built-up of alternating longer .and shorter pieces, ogival jambs in cellar, profiled door-posts) and also some analogies apparent between the manor house in question and the reinforced manor houses at Jeżów and Wieruszyce allowed to date this object back to the first half of the 16t.h century. The eastern part of this manor house was reconstructed and extended probably in the 18th century and then in the turn of the 19th century. It has burnt out in 1966 and was partly demolished. The historical documentation is now under preparation together with an architectural design for its preservation in form of a lasting ruin. However, this decision seems to be one poorly reasoned and provokes to advance an opinion that it would be advisable to make a repeated analysis of possibilities to rebuild .and develop both the object and its surrounding.
EN
The author deals with the notion of preserved ruins deriving its origin from that of the picturesqueness of the landscape (18th century). In the 19th century the former concept was incorporated with the one of authenticity of the monument in ruin. At present the starting point of conservators’ proceedings is recognition of the inseparable connection of the ruins and the landscape. Hence the aid proceedings being reduced nowadays to preservation of the authenticity of the ruins. In the author's opinion all the new, minor components of preserved ruins and their immediate surroundings hould be skillfully disguised and the supreme principle recognized of non-introduction of any adaptation facilities (e.g. catering establishments, etc.) And, in turn, the starting point of the work on preservation of the surroundings of the ruins should be a relevant architectonic and landscape study. It is on this basis that the boundaries of the said surroundings should be demarcated following the determination of the range of the view unfolding itself from the ruins. A correct implementation of the preservation proceedings will bring into relief the value of the ruins of the historical monument being — unlike reconstruction — a genuine evidence of the past.
EN
The author starts his article with the explanation o f . historical significance of the Charter of Venice which was passed in 1964. He also describes some possibilities of its application in reconstruction of Hungerian monuments. As far as recoinstruction of historical buildings in concerner, Hungerian restorers and architects tend to adjut them to the needs of modern life. Their primary principle is to arrange luxurious apartments, which is the only way to find lodgers who will respect their historical character. The author gives some examples of such adaptation of historical houses in Sopron and Budapest. He also discusses various ways of exploitation of monuments of other kinds (such as churches, castles and palaces) in Hungary. Then he deals with monuments which have suffered partial destruction. In such cases it is very important for conservators to establish to what extent reconstruction can be done. The example which may be quoted here is the bastion of the Diósgyor castle, where for the reconstruction of isome time — worn fragment ferro — concrete has been used to mark the border line of the original walls. Gun hatches have also been made in this material. Now they enable to see the construction’s interior, to define the degree of destruction and to recognize technics and materials used for the reconstruction purpose. In other cases (e.g. in the Romanesque church in Varaszó) bricks and original stone material which came from derudition of the outbuilding have been used for reconstruction. Artificial stone is also employed to supplement missing parts (e.g. in the Simontornya castle). The author presents achievements of Hungerian conservators in the field of restoration of ruins, e.g. Roman amphitheaters or temples and medieval castles and palaces. Iu such cases the anastylosis method in applicable, e.g. in the restoration of the Esztergom castle or the ruins of the Visegrâd palace where time — worn fragments af vaults and w alls have been supplemented with modern material and original stone details have been put in their primary places. Then the author proceeds to discuss the restoration works at the Royal Castle in Buda. They have been performed in two ways: — by means of the anastylosis method in case of buildings occupying an opôn area, — on the basis of hypothetic data and annalogies as far as reconstruction of fortifications in concerned. Hungerian medieval monuments of greatest importance can be examined only by means of the excavatory method. This has resulted in the necessity to work out the way of reconstructing these monuments. Therefore the model of an object is made on the basis of its preserved parts and possibly — some written sources. Then places for some fragments recovered in the course of archeological investigations are found out. Finally, on the grounds of this discovery the object is reconstructed through supplement of missing elements with artificial material. Reconstructions of buildings composed of various elements which can be derived from various ages is the other problem that is being solved by Hungerian conservators. In this case the principle of the eldest relicts’ exposition is accepted (e.g. Gothico-Baroque tenement-houses of Sopron). In frequently happens, however, that a structure was remodeled in the 19th century in the course of present restoration the alternations are taken into account as manifestations of the epoch. At the end of the article the author postulates the necessity to begin international exchange of opinions on the subject of the idea and priciples of monuments’ preservation in various countries.
EN
A certain conservation code, known as the English school of the conservation of ruins, has been arranged for a group of objects which survived only in the form of ruins. This type of work, conducted in accordance with the doctrine of the Charter of Venice, has been accepted in Poland and is universally applied in relation to objects which are preserved up to our times as ruins. For two hundred years, the castle in Janowiec existed as a ruin. During the first stage of conservation, carried out for over twenty years, the castle was protected in accordance with the principle of retaining permanent ruins. In altered political, social and economic conditions, the supervising group of conservators recognised that leaving Janowiec Castle in the form of a mere ruin is insufficient. Didactic, pragmatic, functional and financial reasons justified the acceptance of a plan for a partial reconstruction and rebuilding select parts of the castle. The rebuilt fragments will be adapted to various utilitarian functions. The intention of this article is to present the conception of utilising ruins, realised in Janowiec, and to indicate the fundamental conditions and restrictions for this type of a venture.
EN
The early fourteenth-century castle in Ząbkowice Śląskie will be preserved in the form of a permanent ruin. Such a treatment of an object is a recognized, justified and proper form of an existence of a architectural monument which is deprived of its original function and completely devastated. The author recalls the history of the castle and presents premises for the revalorisation and management of the object.
EN
The article attempts to resolve the question concerning the number of castles in present-day Poland as well as the possibility of providing legal protection to existing resources in the contemporary economic and legal conditions, with particular stress on the ownership aspects. The authoress analysed factors causing the absence of an unambiguous answer relating to the size of the resource, with attention focused on questions associated with terminology applied for a precise definition of the affiliation of particular monuments to the 'castles in Poland' category as well as its practical application for listing the castles in the register of historical monuments. The article discusses the following concepts: historical ruins and the ruins of a monument, permanent ruins of a castle and its remnants, fragments and relics, and 'the ruins of a castle on which a part of the castle or the whole castle had been built' (this concept is as yet without a shorter counterpart).
FR
Le pro jet présenté dans ce compte-rendu et concernant la conservation de l’Église Notre-Dame à Chojna 'en forme de ruine permanente * constitue une solution-modèle, ayant pour but en même temps de sauver le monument e t de le ren d re accessible aux visites des touristes. Le projet fu t précédé par des recherches scientifiques. Ce sujet a été tra ité déjà avant la guerre dans un article dont l’auteur Voss considérait le bâtiment en question comme unité rep a rtie suivant les époques de sa construction, notamment en p artie orientale consacrée en 1407 et en partie-occidentale terminée en 1459. En résultat des recherches architecturales e t archéologiques effectuées sur pla ce par la Faculté de l’A rchitecture à Varsovie (Chaire de l’Architecture Polonaise) au cours des années 1960—1962 on a prouvé que l’ancienne tour é ta it probablement antérieure au corps principal de l’église et constituait un é lé ment de l’église du XlV-ème siècle connue jusqu’ici uniquement par des notes historiques. L ’église du XVe siècle fu t érigée probablement sur l’emplacement de la précédente dont la tour fu t annexée au nouvel édifice et surélevée d ’un étage au cours de son adaptation. L’église du XVe siècle se range parmi les monuments de haute valeur artistique et son architecture accuse des affinités avec les oeuvres de l’atelier d’Henri Brunsberg dont probablement elle est issue. A la fin du XVe siècle fu t annexée à cette église la chapelle St. Anne. Dans les siècles suivants la toiture de la tour a changé de forme. En 1859/61, après l’écroulement de l’an cienne tour on en éleva une autre à sa place, haute d e 95 m., néogothique, remaniée par suite ein 1932— 1933. Dans la seconde moitié du XIXe siècle l’inté rieu r de l’église fu t également reconstruit et en cet é ta t l’édifice est conservé jusqu’à la seconde guerre mondiale pendant laquelle les voûtes et les toitures fu re n t détruites en grande partie. Les murs quoique endommagés se sont conservés en général ju sq u ’à la corniche du couronnement. É tan t donné que l’église post-conventuelle du voisinage suffisait aux besoins du culte, il n ’y av a it aucune prémisse pour procéder à la reconstruction de l’Église Notre-Dame. Toutefois la haute valeur artistique de ce monument étant reconnue, on n e pouvait le laisser tomber en ruine sans entrep ren d re des mesures de protection. C’est pour cela qu’on adopta, en fin du compte, la solution de sa conservation à l’aspect de ruine en p ro je tan t d ’en ouvrir l’accès aux touristes. Le projet s’allie p a r sa conception à la meilleure des écoles de conservation contemporaines soit d it à l’école anglaise. Ses principes de base fu re n t su ivis de près compte tenu toutefois de certaines modifications nécessitées par des conditions spécifiques de notre climat. Donc, le principe selon lequel les murs ne doivent pas être reconstruits sauf quand l'exige l'é ta t technique de l’ensemble, n ’a pas pu ê tre suivi à la lettre. Le programme prévoyait la reconstruction p artielle des voûtes et des balustrades des tribunes pour ren d re possible les visites des touristes. On appliqua les principes anglais suivants: refection des m u rs e t des mortiers, à la surface; relèvement des planchers à leur niveau primitif; enlèvement des plantes e t de la mousse des murs, pour incruster l’ensemble de la ru in e dans le cadre de la verdure environnante. Dans le projet de l’aménagement des pelouses on introduisit certaines modifications. Compte tenu des difficultés d’en tretien d ’un gazon de verdure sans sentiers on p ro je ta de poser su r le chemin des visiteurs des dalles en béton dont les interstices seraient envahis par la mousse. Ce genre de tro tto ir semble être meilleur que les sentiers de gravier employés p ar les Anglais en prévision d’un trafic touristique animé. Le programme de l’aménagement des plantes hautes en ta n t que décor plastique de la ru in e n ’est qu’un développement de l’école anglaise selon laquelle la conception d ’un fond de verdure de plantes hautes à l'ex térieu r de la ruine ne fu t pas envisagée. Les principes anglais se trouvent complétés p a r un soulignement voulu de la ligne des interventions conservatrices, à l’aide d’un liant distinct ainsi que par une repa rtition d u bâtiment suivant la chronologie de sa construction. L ’attention fu t toutefois portée surtout à la p rép a ra tio n des services e t du mouvement touristique, dont les itinéraires fu re n t élaborés d’avance comme dans le cas des musées. On p ré para pour les touristes des postes de „prise de vue” et, pour g aran tir la continuité du mouvement to u ristique, on projeta deux cages d ’escalier supplémentaires, une en béton armé, l’au tre en acier. Outre les visites touristiques coutumières on a prévu des itinéraires spéciaux pour les historiens de l’a rt et pour les conservateurs. C’est ici que fu re n t e x posés les vestiges concernant la rép a rtitio n chronologique du bâtiment et les procédés de sa conservation. Pour principe général on adopta l’adjonction d’éléments exécutés dans un matériau nouveau de forme différenciée, quoique en harmonie avec le site historique. Comme matériau po u r les éléments nouveaux é tait prévu: le béton armé, la brique en silicate e t le fe r graphie, tandis que les délabrements dans les parties du bâtiment conservées seraient comblés p a r les matériaux récupérés.
EN
The article is a contribution to the debate on the effective protection and preservation of industrial structures and sites in the Old Polish Industrial Region (OPIR) that are of unique value and importance to the cultural heritage of Poland. The Kielce area has a long tradition of mining and metallurgy and can pride itself on numerous industrial heritage structures and sites. The historic production facilities represent all stages of development of iron and steel making from the Middle Ages to modern times. It is thus essential that they should be preserved and protected appropriately. The sites with complete well-preserved production lines, forging equipment, watermills, coal-powered blast furnaces, rolling mills and puddling mills form a unique historic landscape that could become a flagship attraction for the area, taking visitors through the history of metallurgy in Poland and Eur< >pe. The paper presents the history of the industrial structures and sites of the Old Polish Industrial Region, from their beginnings, through their glory days (operation and modernization) to their deterioration. It also suggests modern methods of conservation, including the establishment of eco-museums in the basins of the Kamienna, Czarna and Bobrza rivers. This would ensure that professional management, promotion and restoration/conservation services are provided not only to the existing museums of technology but also to a large number of historic structures remaining in ruin, for example, the Nietulisko Duże Rolling Mill, the Brody Reservoir Dam, the Bobrza Retaining Wall and Steelworks, and the blast furnaces at Kuzmaki and Samsonów. It is vital that whole areas of historic industrial sites should be conserved. The formation of these open-air museums would help to raise awareness of the uniqueness of the post-industrial heritage, promote the region as a tourist destination, and educate on science and technology by learning outdoors. translated by E. Szol-Radziszewska
PL
Zamek „Lipowiec” (gm. Babice, pow. Chrzanów, woj. małopolskie) od przełomu XIII i XIV stulecia odgrywał istotną rolę w dziejach Małopolski oraz Kościoła krakowskiego. W kolejnych wiekach był on nie tylko warownią i rezydencją hierarchów, ale także miejscem rekolekcji dla duchownych oraz wiezieniem biskupim. Obecnie zaś – zachowany w formie trwałej ruiny – stanowi jedną z ciekawszych atrakcji turystycznych regionu. Profesjonalne badania historyczno-architektoniczno-archeologiczne tego obiektu przeprowadzone zostały jednak dopiero w drugiej połowie XX w., a pozyskany wówczas materiał zabytkowy po dziś nie doczekał się szczegółowego opracowania. Niniejszy artykuł zawiera propozycję analizy zespołu średniowiecznej ceramiki lipowieckiej, odkrytej podczas prac badawczych z lat 1967-1974. Omówienie uwzględnia zarówno aspekt technologiczny, jak i klasyfikację rodzajową zabytków (w tym typologię charakterystycznych część naczyń oraz ich ornamentyki). Zaprezentowano również przesłanki, które posłużyły do ustalenia chronologii zespołu – analogie technologiczne i stylistyczne oraz informacje, wynikające z pozycji stratygraficznej danego znaleziska. Całość analizy pozwala zatem nie tylko na scharakteryzowanie omawianej grupy zabytków, ale także na wysnucie wniosków co do kierunków wpływów stylistycznych i oddziaływań technologicznych w zakresie średniowiecznego garncarstwa w tej części Małopolski. Integralną część artykułu stanowią tablice z rycinami.
XX
The Lipowiec Castle (Babice municipality, Chrzanów district, Małopolska prov-ince) played a considerable role in the history of Małopolska province and the church of Cracow since the break of the 13th and 14th centuries. During the following ages it was not only a fortress and the residence of hierarchs but also a place of retreat for the clergy and a bishopric prison. Nowadays – preserved in the form of a sustainable ruin – it constitutes one of the more interesting tourist attractions of the region. Profession-al historic-architectural-archeological research of the object was conducted only in the second half of the 20th century and the historical material obtained at that time has not been researched in detail up to now. The present article contains a proposal of an analysis of medieval earthenware from Lipowiec discovered during the research work in 1967-1974. The presentation consists both of the technological aspect and the generic classification of the earthenware (including a typology of characteristic parts of the pottery and its ornamentation). It also presents premises on which chronology has been based – technological and stylistic analogies as well as information based on stratigraphic position of each find. The whole analysis allows not only to characterise the researched earthenware but also to make some conclusions about stylistic influ-ences and technological effect in respect of medieval pottery in this part of Małopol-ska. Illustration templates constitute an integral part of the article.
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