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Taniec to (nie) walka. Agonistyka i antagonistyka a choreografia na przykładzie turniejów rycerskich i mieszczańskich w Niemczech

100%

Talaga M.

Kultura Współczesna. Teoria. Interpretacje. Praktyka

2020

vol. 111

issue 4

157-173

What is dance? This is one of the key questions in dance research to which the relevant literature provides no definite answer. The classic approaches highlight the central role of movement, rhythm, and a slight excess of expressivity as the criteria for recognising a given practice as a dance. Seeking to deepen our understanding of the nature of dance, one should take a closer look at phenomena that escape or even contest the definitions accepted thus far. This article is an attempt at such an analysis of two historical European forms of martial arts, knightly tournaments and urban fencing competitions, in the late medieval and early modern Germany. Alongside their socio-cultural context their specific ‘kinetic sensitivity’ is also taken into account. The unfolding discussion leads to the central question: What made the viewers of contemporary knightly tournaments associate the opponents’ movements with a dance routine? In fact, the relevant literature began to describe them with terms derived from ballet de cour; however, they were never used to discuss the urban fencing competitions. In light of this, it is proposed to supplement the existing definitions of dance with the category of antagonistics defined here as a movement in which the essential criteria for the participants’ assessment and success, and therefore also the main driver of innovation, are not as much determined by aesthetic conventions as by factors not subject to social negotiations. Consequently, while easily encompassing the classically understood agonistics, the dance seems to end where antagonistics begins.

Pamiątkowe żetony z Uniejowa

80%

Czyżewski B.

Biuletyn Uniejowski

2023

vol. 12

63-78

Over the long history of Uniejów, no mint had functioned in the city nor any local token money was produced there. Only in the 21st century special souvenir coins from Uniejów appeared. The first of these tokens were minted in 2006, the last ones in 2019. Within these 13 years the inhabitants of Uniejów, tourists and also collectors could collect as many as 10 souvenir tokens from Uniejów.

Na przestrzeni wieków w Uniejowie nigdy nie działała żadna mennica, nie doszło także do produkcji miejscowego pieniądza zastępczego. Dopiero w XXI w. pojawiły się w Uniejowie pamiątkowe żetony. Pierwsze uniejowskie numizmaty zostały wybite w 2006 r., a ostatnie pochodzą z 2019 r. W ciągu tych 13 lat mieszkańcy Uniejowa, turyści oraz kolekcjonerzy mogli zgromadzić aż 10 uniejowskich numizmatów.

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1 Biuletyn Uniejowski

1 Kultura Współczesna. Teoria. Interpretacje. Praktyka

1 Czyżewski B.

1 Talaga M.

1 2023

1 2020

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Taniec to (nie) walka. Agonistyka i antagonistyka a choreografia na przykładzie turniejów rycerskich i mieszczańskich w Niemczech

Pamiątkowe żetony z Uniejowa