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EN
An inventory of the books possessed by the composer Jacobus Handl-Gallus was established in July 1591, a few days after the composer died. Today preserved at the Prague City Archive, this document has already been analysed and commented by many scholars, and from a rather early date. However, a number of details still deserved closer examination, concerning in particular the identification of the volumes contained in the inventory, and the link between these volumes and the composer’s own creation and personal history.
CS
Studie Marca Desmeta je věnována osobnosti hudebního skladatele Jacoba Handla-Galla. Autor se zaměřuje na pozůstalostní inventář Handlových knih, který patří mezi vzácně dochované archivní dokumenty, jež se k němu váží. Po skladatelově smrti v červenci 1591 jej sepsal jeho bratr Georg Handl společně s třemi dalšími osobnostmi. Zde uváděné hudebniny autor textu zasazuje do kontextu nových poznatků o tiskařské dílně Gerlachově v Norimberku a pražské dílně Jiřího Nigrina.
EN
Small typographic elements such as pilcrows, pointing fingers, and type-ornaments optically separated the typeset and helped the reader to grasp the text. The latter also boosted the aesthetic quality of the printed work. However, whether such material occurs in a book and to what extent varies with time, genre, and printing house. Any specific use reflects not only the typesetter practice but can also indicate the intentions of the particular printer (printing house) or reading habits of the intended readership. Considering that the Brethren bishops carefully scrutinised and supervised every edition printed in their illegal printing house in Ivančice (South Moravia), one can assume a thoughtful and discreet attitude towards the content, likewise the typography. The present study explores the visual practices adopted by the Brethren for the typesetting of hymnbooks, Bibles, and confessions. The aim is to provide a detailed account of the design and function of the Brethren pilcrows and printers’ ornaments based on a typography analysis of all known pieces printed between 1562-1578 on the Brethren press. The results provide strong evidence that the Brethren developed a sophisticated typographical system to strengthen and partly to reform the Brethren liturgy. The unique way of the Brethren for marking stanzas and repetition within the printed hymns using pilcrows and “trefoil” is an entirely new finding. Whatsmore, a comparison of the Brethren’s book with similar production published by the local printers indicates unprecedented precision of the Brethren’s typesetters devoted to the graphic design of the liturgical texts (hymnbooks, Bibles). Considering the extant historical sources, the outcomes presented here indicate a systematic effort to implement a unified order into Brethren liturgy urged by the leading Brethren bishops.
EN
This article presents the publications and typographic resources of the printing houses of Lwów dated 1650–1800, discovered in the special collections of the H. Łopaciński Regional Public Library in Lublin. The most interesting old prints, in terms of content, graphic design, and provenance, were selected and presented.
RU
В статье рассматриваются издания и печатные формы львовских типографий 1650–1800 годов, хранящиеся в Отделе специальных коллекций Люблинской Воеводской Публичной Библиотеки им. Иеронима Лопацинского. Отобраны и представлены самые интересные старопечатные книги как с точки зрения содержания и графического оформления, так и происхождения.
PL
Artykuł przedstawia wydawnictwa i zasób typograficzny drukarń lwowskich z lat 1650–1800, znajdujących się w zbiorach specjalnych Wojewódzkiej Biblioteki Publicznej im. H. Łopacińskiego w Lublinie. Wybrano i przedstawiono starodruki najciekawsze, zarówno pod względem zawartości, szaty graficznej, jak i proweniencji.
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