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1

Utwory osierocone jako zagadnienie prawa i kultury

100%

Jarmuszkiewicz A.

Tematy i Konteksty

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2017

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vol. 12

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issue 7

359-371

EN

The article presents contemporary definitions of orphan works, the problems associated with these definitions and the importance of the existence of orphan works for contemporary culture in the context of cultural memory.

2

Rola organizacji zbiorowego zarządzania prawami autorskimi w regulacjach prawnych dotyczących utworów osieroconych

80%

Osmańska M.

Themis Polska Nova

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2015

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issue 2(9)

216-242

EN

The role of copyright or related rights collecting societies in legal solutions regarding orphan works. The paper analyses in what way collective management organizations can be useful to solve the problem of so-called orphan works. The issue of orphan works (works whose authors or other rightholders are not known or cannot be located or contacted to obtain copyright permissions) is today one of the most important elements of the debate on the future of copyright law. As the number of orphan works keeps growing it becomes a serious problem which requires to be resolved by creating an appropriate legal framework. It seems that the best way of addressing the problem would be to entrust the management of orphan works with specialized entities i. e. copyright or related rights collecting societies. Namely it is worth to consider the extended collective licensing system that proved to be effective in the Nordic countries. However, the Directive 2012/28/EU on certain permitted uses of orphan works which sets out common rules on the use of orphan works is not based of that system. The absence of mutual recognition implies that an extended collective license is valid only in the national territory in which the statutory presumption applies. It would seem that at least diligent search should be entrusted to copyright or related rights collecting societies. They have access to databases on the works, objects of related rights and rightholders and they interact with similar organizations in other Member States. In the Polish copyright law provisions referring to the collective management of copyright do not fulfill its function. Professional, strong, effective and representative copyright collecting societies with well-defined area of activity are needed to solve the problem of orphan works. This requires amendment to the Copyright Law.

3

Memy i pasty. Prawa autorskie do utworów publikowanych na forach obrazkowych

57%

Piasecki G. M.

Studia Prawnicze

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2018

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issue 1 (213)

147-174

EN

The popularity of image forums (so-called imageboards or chans) is growing on the Internet. These forums are distinguished by the mechanic and subculture aimed at anonymisation of users, encapsulation of the community and providing evanescence of published content. All these factors permanently prevent or substantially restrain a possibility of establishing the authorship of works that were published for the first time on chans. Present article is an attempt to explain to what extent works published on chans are subject of protection of the law and to what extent further use of these works is licit. The author considers the following three conceptions. Firstly, it can be assumed that those works all fully protected by law and the free use is inadmissible. Secondly, it is also justifiable to treat those works as orphan works or abandoned works. It can be finally assumed that works published on chans were released under a license similar to the Creative Commons license.

PL

W Internecie niesłabnącą popularnością cieszą się internetowe fora obrazkowe (tzw. imageboardy lub chany), których cechą charakterystyczną jest mechanika oraz podkultura dążące do anonimizacji użytkowników, hermetyzacji społeczności i zapewnienie efemeryczności publikowanych treści. To wszystko w trwały sposób uniemożliwia lub poważnie utrudnia ustalenie autorstwa utworu opublikowanego po raz pierwszy na chanie. Niniejszy artykuł stanowi próbę odpowiedzi na pytania, w jakim zakresie utwory publikowane na chanach są chronione przez prawo i w jakim zakresie możliwe jest dalsze z nich korzystanie.

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Utwory osierocone jako zagadnienie prawa i kultury

Rola organizacji zbiorowego zarządzania prawami autorskimi w regulacjach prawnych dotyczących utworów osieroconych

Memy i pasty. Prawa autorskie do utworów publikowanych na forach obrazkowych