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Bilderlosigkeit und anthropomorphe Darstellungen in den deutschen und niederländischen Grammatiken des Barock: sprachwissenschaftlich verursachte und konfessionell motivierte Sichtweise

100%

Djubo B.

Neerlandica Wratislaviensia

2019

vol. 29

31-51

Human figures were a suitable means of assigning human qualities to non-human entities, thereby making an abstract phenomenon more concrete and easier to understand. During the baroque period, one of the widely used techniques in the works of German and Dutch grammarians was visual presentation of their material in tables. Illustrative examples or tables and dichotomies were differently preferred as visual material in the language teachings of representatives of the confessions as well as the most important philosophical and grammatical theories, which were respected and had authority in the 17th century. The iconoclasm of the Calvinist authors, that is, aniconism and removal of images from churches, correlated with the reluctance of the grammarians to visualise their subjects in pictures. For presenting the contents, language teachers chose a frugal form, namely the tables and the dichotomic method, which is usually manifest in the composition of grammar books and description of the most important characteristics of the parts of speech.

Społeczeństwo – tożsamości – obrazy. Kobieta i mężczyzna w czasie pracy i czasie wolnym w przedstawieniach saotomejskiego malarstwa reklamowego

84%

Wasik A., Stańczyk P.

Afryka

2017

issue 46

95-116

The main aim of this article is to present the results of research of the São Toméan advertisement painting phenomenon. Visual discourse analysis methods were used during the research procedure. The first part of the article presents various types of research on advertisement painting and the basic characteristics of this phenomenon in West Africa. The next part of the article describes the empirical methods used to analyse the visual discourse of São Toméan advertisement painting. The main part of the text presents an analysis of empirical visual material focused on the discursive construction of identity strategies towards production and work, leisure and consumption, as well as gender.

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1 Afryka

1 Neerlandica Wratislaviensia

1 Djubo B.

1 Stańczyk P.

1 Wasik A.

1 2019

1 2017

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Bilderlosigkeit und anthropomorphe Darstellungen in den deutschen und niederländischen Grammatiken des Barock: sprachwissenschaftlich verursachte und konfessionell motivierte Sichtweise

Społeczeństwo – tożsamości – obrazy. Kobieta i mężczyzna w czasie pracy i czasie wolnym w przedstawieniach saotomejskiego malarstwa reklamowego