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EN
The article refers to the aspects of the diagnostic research related to the professional development of art teachers of public schools in Białystok and Białostockie District and autobiographical research of the educators who combine their own artistic work with their pedagogical work. The subject of the analysis was the creative artistic activity of visual education teachers as an important area of their professional development. The first part of the article provides the theoretical basis for the research. The concepts of the professional competence of visual arts teachers adopted by the author were indicated. Next part of the article presents the methodological basis based on own research. An analysis of the essential elements, such as the objectives of research, applied research method and research tools, was of test procedure was carried out. A description of the sample research, time and area of research was provided. A large part of the article is devoted to the presentation of the research results on the creative artistic activity of visual education teachers as a field of professional development. The fields and conditions of creative artistic activity of visual education teachers were presented. In conclusion, the results of the research were presented and were confronted with other researches on the profession of art teacher and arts education
EN
Changes in the area of museum education take multiple directions. While some of them are a result of discussion on transformations observed in social life and their impact on the shape and role of contemporary museums, others may be related to growing numbers of museum visitors recruiting from ever wider circles of people. Irrespective of the causes behind this metamorphosis of education offered by museums, many of these institutions simply ask: Who and what are museums for nowadays? ‘A Multitude of Realities’ is an experimental research and educational project of the Józef Piłsudski Museum in Sulejówek which has already provided a lot of material to answer these two questions.
EN
The paper outlines the origin, development, applications, and impact of conceptual scientific illustration, developed in the early 20th century by Fritz Kahn, a German gynecologist, publisher and popularizer of science. These illustrations explains how things work via concepts, metaphors and illusion. This is in contrast to the descriptive anatomical and natural illustrations of 19th-century paintings which show what things look like. The article presents the systematics of the main types of illustrations by F. Kahn and reflects on reception thereof.
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