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EN
The symbolic dimension of the health/illness/care is present in the representation of illnesses differently in each social group In this representation, the etiological conceptualization and healing strategies can include a multiplicity of knowledge, which guide the patient's therapeutic path.  The explanatory model used by the community of Kaydesa, Haiti, reveals a series of symbols and cultural constructions involved in affliction and illness, which highlights the influence of psychosocial perspectives in this process. This article sheds light on the subjective aspect of the health /illness /care process and, from this perspective, reflect theoretical propositions on the placebo and nocebo action mediated by the vodou culture, as well as the position of official medicine in relation to these concepts in the local socio-economic context. Conclusion: from the reflections it is possible to recognize the connection between the placebo and nocebo effect in the health /disease /care process and to identify the influence of structural violence in the public health area in Kaydesa, which manifests itself interfering in the representation of diseases and in the health practices of local residents.
ES
A dimensão simbólica do processo saúde/enfermidade/atenção está presente na representação das enfermidades de forma diferente em cada grupo social. Nesta representação, a conceituação etiológica e as estratégias de cura podem incluir uma multiplicidade de saberes, as quais orientam o percurso terapêutico do paciente. O modelo explicativo utilizado pela comunidade de Kaydesa, Haiti, revela uma série de símbolos e construções culturais envolvidos na aflição e na enfermidade, onde salienta-se a influência das perspectivas psicossociais neste processo e o legado histórico da violência estrutural. Este artigo pretende lançar luz acerca dos aspectos subjetivos do processo saúde/enfermidade/atenção e sob este prisma refletir proposições teóricas sobre a ação placebo e nocebo mediada pela cultura vodou, bem como a postura da medicina oficial frente a estes conceitos no contexto sócio econômico local. Conclusão: a partir das reflexões é possível reconhecer a conexão existente entre o efeito placebo e nocebo no processo saúde/enfermidade/atenção e identificar a influência da violência estrutural no âmbito da saúde pública em Kaydesa, a qual manifesta-se interferindo na representação das doenças e nas práticas em saúde dos moradores locais.
PL
The article is devoted to discussing the problem of education as a tool of religious dominance in Haiti between Catholics, Protestants and Vodou practitioners. This article examines the most important aspects of the religious situation in Haiti from the colonial period to the present days in a historical context. In this article the author uses the data analysis of publications, reports, non-governmental organisations and foreign press review. The author discusses the specific processes and forms of social activities, which created the modern neocolonial system of education in Haiti and presents the main causes of religious conversion and the role of Vodou after conversion to Protestantism.
3
80%
PL
Wiele wynalazków ma swe źródła w wyobraźni artystów, ich marzenia i wizje wyprzedzają rozwiązania techniczne. W 1982 roku amerykański pisarz William Gibson wykreował koncepcję cyberprzestrzeni i zilustrował ją w nowelach i powieściach. Mona Liza turbo przedstawia świat, w którym nie istnieją tradycyjne systemy i wartości, nie ma też religii monoteistycznych. Duchowość pozostaje jednak elementem natury człowieka nowej ery. Religią cyberprzestrzeni jest zaś vodou, którego „mechanizm” przypomina sposób funkcjonowania wirtualnej rzeczywistości i odpowiada potrzebom post-industrialnego i post-ludzkiego środowiska. Opiera się na przeżywaniu i bezpośrednim doświadczaniu, polega na wnikaniu w struktury, jest antydogmatyczne i wielorakie, Boga określa niejasno, daje dużą dowolność na poziomie kultu i praktyk. Gibson wprowadził szereg typowych dlań zjawisk i na nich osnuł wątek kryminalny książki. Vodou, zakorzeniona w afrykańskim plemiennym kulcie wodunów, dotarło do Ameryki w XVII wieku wraz z niewolnikami. Obecnie podbija rodzącą się cyberprzestrzeń, jest chętnie wykorzystywane przy tworzeniu koncepcji i estetyki gier komputerowych.
EN
Many inventions have their sources in the artists’ imagination. In 1982 an American writer William Gibson created the term cyberspace and used it in his short story and novels. Mona Lisa overdrive shows a virtual world freed from all traditional systems, powers and values. All monotheistic religions are also absent. However, the cyberman does not deny the spirituality, and has found a religion that suits best his new needs and perspectives. So vodou is present from the very beginning of the novel, the author introduces its typical figures, loa and zombies, and builds a criminal plot on its “mechanism”. Vodou is conform to cyberspace: IT is anti-dogmatic, multiform and scattered, there is no center, no God, no arborous structure. Both are experience and feeling. Vodou derives from an ancient African cult and came to America in 17th century, with the Black slaves. Now it conquers the cyberspace as it is present in many games.
Nurt SVD
|
2020
|
issue 2
169-178
PL
Autorka podjęła próbę interpretacji systemu niewolnictwa i jego przejawów w haitańskiej kulturze na przykładzie zombie. Artykuł składa się z trzech części. W pierwszej omówiono zjawisko zombie. W drugiej przedstawiono kwestię niewolnictwa, jako doświadczenia granicznego. W ostatniej – ukazano zombie jako metafory traumy niewolniczej. Zwrócono przy tym uwagę na następujące przymioty: dusza, podmiotowość człowieka, niewolnictwo. Celem niniejszego artykułu jest ukazanie zombie jako przejawu traumy niewolniczej funkcjonującej w haitańskiej mentalności. Artykuł stanowi zasygnalizowanie powyższego problemu badawczego.
EN
The author made an attempt to interpret the slavery system and its manifestations in Haitian culture on the example of zombie. The article consists of three parts. The first deals with the zombie phenomenon. In the second the question of slavery as a borderline experience is presented. The last one shows zombie as metaphor for slave trauma. The following qualities were also noted: soul, human subjectivity and slavery. The purpose of this article is to reveal zombie as a symptom of slave trauma functioning in the Haitian mentality. The article is to signal the above mentioned research problem.
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