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In ancient Egypt, performances inside and outside buildings are documented (open air, under canopies, in rooms). The article discusses the different acoustic conditions at the various per-formance venues. Within the scope of experimental music archaeology, the volume of replicas of musical instruments from ancient Egypt and modern equivalents was measured. This tech-nical approach in connection with iconographic, textual, and archaeological evidence provides a valuable, practice-oriented contribution to our knowledge of ancient Egypt and its music archaeology.
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