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Jasmin HabibUniversity of WaterlooCanada Wall Art and the Presence of Absence Abstract: This photoessay takes the reader on a walking tour through Wadi Nisnas, Haifa, Israel, where art appears on walls and where walls become art. Using de Certeau, Jasmin Habib reflects on the way that these pieces represent the political and cultural histories of Palestinian displacement, a politics of belonging as well as their return.  The artists’ imaginary of coexistence is set in stark contrast to the nativism that marks the world outside of these walls. Keywords: Palestinians; wall art; photoessay; coexistence, de Certeau; Haifa
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