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Stowarzyszenie Młodzieży Polskiej w Szadku w latach 1919-1933

100%
Stefańska D.
Biuletyn Szadkowski
|
2014
|
issue 14
151-172
EN
Polish Youth Association in Szadek was set up in 1919 at the initiative of Jan Anglik. It was then reorganized in the early 1920s by Father Edward Dyja and Dean Antoni Orzechowski. Afterwards it was successively run by Father Jan Stanisław Żak, Father Józef Gołębiowski and Father Jan Przybysz. It consisted of two sections: female youth and male youth. The program of activity was defined by decrees of the secretariat of Włocławek diocese, headed by Father W. Zawadzki, Father A. Radomski, and next by Father S. Pietruszka. The association organized excursions and pilgrimages (e.g. to Częstochowa and Charłupia Wielka). In the field of cultural and educational activity, it organized vocational trainings, days of welfare work, youth rallies, and celebrations on the occasion of religious or national feasts. The aim of the association was formation of young generations of Poles in the spirit of patriotic and Christian values – the youth was involved in religious, social and cultural life of the parish under patronage of the clergy.
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KONCERTY SZWAJCARSKIEGO CHÓRU „MOTET ET MADRIGAL” W POLSCE W ROKU 1923 W ŚWIETLE PUBLIKACJI PRASOWYCH

67%
Sztejnbis-Zdyb J.
Ars inter Culturas
|
2016
|
issue 5
317-332
EN
National values were the particularly exposed element of Polish music of interwar period. It clearly fited into the model of state education which was strongly promoted those days. National problem remains in the circle of keen interest in music criticism. Polish music of the Renaissance tried to present it as a discipline that was comparable to European music in terms of values. An image of Poland was formed as of a country with a rich and old cultural tradition. This thesis was willingly used by the politicians which is confirmed by music related critical articles concerning performances of Swiss chamber choire “Motet et Madrigal” in Poland in April of 1923. Choire was founded by the eminent Polish composer and conductor Henryk Opieński. This article is an attempt to analyze reviews, which appeared in the press during the tour of the ensamble. Those reviews were published by the newspapers of Cracow, Warsaw, Poznań, Łódź and Bydgoszcz and have been analyzed by the author in terms of their musical as well as political references.
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