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Spinoza und Seine Philosophie im Schaffen der Deutschsprachigen Dichterin Rose Ausländer

100%
Kłańska M.
Forum Philosophicum
|
2011
|
vol. 16
|
issue 2
111–119
EN
The German-Jewish writer and poetess, Rose Ausländer (1901–1988), who came from Chernivtsi (Czernowitz), capital of Bukovina, one of the former provinces of the Hapsburg Empire, is one of the most highly acclaimed lyric poets to have written in German in the 20th century. Throughout her whole life she was an adherent of the philosophy of Spinoza, first becoming acquainted with it in the so-called “ethics seminar” of the secondary-school teacher Friedrich Kettner. In the wake of the First World War the youth of Chernivtsi were in need of new sources of intellectual stimulation, so he set out to introduce them to the philosophy of Spinoza, as well as to that of Constantin Brunner, a contemporary German philosopher influenced by him. Rose Ausländer remained a follower of Spinoza right up to the end of her life. This is confirmed by her two very different poems of the same name, “Spinoza”—the first composed before 1939, the second in 1979—as well as by her many explorations of topics drawn from his ethics, ranging from her very first printed poem, “Amor Dei,” up to her lyrics written in old age, in the 1970s and 1980s. In this short paper I will attempt to chart the course of, and analyze, her interest in Spinoza's philosophical system and life.
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Дом як Радзiма ў лiрыцы беларускiх паэтэс другой паловы ХХ стагоддзя

51%
Шматкова I.
Białorutenistyka Białostocka
|
2017
|
vol. 9
PL
W artykule omówiono topos domu jako ojczyzny w twórczości najwybitniejszych przedstawicielek literaturze białoruskiej drugiej połowy XX wieku, a w szczególności Eugenii Janiszczyc, Niny Matiasz i Raisy Barawikowej, urodzonych na Polesiu. Omówiono wartości duchowe toposu. Na podstawie liryki poetek dokonano analizy porównawczej identyfikowania toposu w kobiecym modelu świata.
EN
The article deals with the identification of the topos of home as fatherland in the works of outstanding Belarusian women poets in the second half of the 20th century such as Eugenia Yanishchits, Nina Matyas and Raisa Borovikova, who are natives of a separate region of Belarus – Polesie. Semantic content of the topos has been discussed and comparative analysis of its identification in women model of the world based on their lyrics has been made.
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