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Nazwy gildii w grze World of Warcraft

100%
Sucharska K. B.
Annales Universitatis Mariae Curie-Sklodowska, sectio FF – Philologia
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2019
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vol. 37
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issue 2
EN
The subject of the analysis are guild names created by players in the World of Warcraft MMORPG. Guilds are organizations that give structure to virtual micro-communities created in the game. Their names reflect the specific nature of the World of Warcraft gaming environment. The article discusses the names of Polish-speaking guilds in terms of their consistency with the world presented. Four types of onyms were distinguished: consistent with the Warcraft universe; referring to the game mechanics and the way the game is played; referring to players and their communities and taken from other areas of culture.
PL
Przedmiotem analizy są nazwy gildii tworzone przez graczy w grze MMORPG World of Warcraft. Gildie są organizacjami nadającymi strukturę wirtualnym mikrospołecznościom tworzonym w grze. W ich nazwach odbija się specyfika społeczności graczy w „World of Warcraft”. W artykule omówiono nazwy polskojęzycznych gildii ze względu na ich spójność ze światem przedstawionym. Wyróżniono cztery typy onimów: zgodne z uniwersum Warcrafta; nawiązujące do mechaniki gry i sposobu prowadzenia rozgrywki; odwołujące się do graczy i ich społeczności oraz zaczerpnięte z innych obszarów kultury.
2

Poetyka zapachów w świecie przedstawionym Dmitrija Mierieżkowskiego

100%
Dudek A.
Slavica Wratislaviensia
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2014
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vol. 158
137 - 148
EN
Motifs of smells appear to be essential as the far as the structure of the world presented in the works by Dmitry Merezhkovsky is concerned. The writer makes many attempts to define the general features of smells, the way they influence man and the relationship between information being transmitted by means of aromas and the cultural context of transmission. There are two discernible and opposite groups of smells in the works by Merezhkovsky. One of them consists of pleasant olfactory impressions, indicating indirectly the meaning of life and bloom, whereas the other group contains nasty smell impressions connected with death and decay. Motifs of smells perform mnemonic and indentyfying functions in the structure of works being analyzed. Apart from analytically reconstructed principles of immanent poetics of smells, we can come across essays and feature writings with directly worded category of smell transmitting metaphorical senses, typical for concepts of religion, interpretation of Gospel, the style of culture and historiosophy, being fostered by Merezhkovsky. That group of judgements makes apeculiarly formulated poetics of smells. Both systems of poetics of smells reveal close connections with one another.
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