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Sonet, cykl sonetowy i wieniec sonetów w poezji polskiej i europejskiej

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Darasz W. J.
Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica
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2017
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issue 12
34-50
EN
This paper is devoted to the history of a sonnet and bigger collections built of sonnets, a sonnet cycle and a wreath of sonnets, i.e. a specific cyclic work of a particular internal structure based on repeating verses within the whole. Also, a formal diversity of the sonnet form has been presented. The basic variants of the genre include: Italian and French sonnets, as well as an English sonnet in its several forms. Moreover, the rhyme schemes, which are the indicators of those variations, have been analysed, as well as metric patterns most often used in the sonnet. Another issue discussed in the paper is the sound structure in sonnets, i.e. orchestration, especially vocal harmony. Names of poets, who mostly contributed to the codification of the sonnet as a genre and popularizing this form in international literature, have been mentioned. All the ideas are illustrated with examples from the works written by the most distinguished Polish and European poets.
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Sonety włoskie Christiny Krotkowej

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Lis-Czapiga A.
Studia Wschodniosłowiańskie
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2019
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vol. 19
129-150
EN
Khristina Krotkova is recognised as a representative of the First Wave of Russian Emigration, she was also a member of literary association “Skit”. Krotkova’s Italian Sonnets form crown of sonnets consisting of 14 poems. Only the title of the cycle concerns the Italian theme, as the crown is formally composed of English sonnets. Italian culture, architecture monuments, masterpieces of literature and painting as well as Italian nature inspired Krotkova and became the pretext to existential and epistemological deliberations.
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