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1

"Śpiąc z epopeją". O możliwości badania wyobraźni erotycznej Norwida

100%

Seweryn D.

Colloquia Litteraria

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2007

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vol. 2

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issue 1/2

21-40

2

Ćwiczenia optyczne i duchowe. Oko i umysł w utworach lirycznych Krasińskiego i Słowackiego

63%

Borowczyk J.

Napis. Pismo poświęcone literaturze okolicznościowej i użytkowej

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2014

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issue 20

66-88

EN

In this paper I undertake the analysis and interpretation of the poems and other statements of two romantic poets – Zygmunt Krasiński and Juliusz Słowacki. I lean primarily on the several lyrics of the first of them, created in the late 30s and early 40s of the nineteenth century, as well as on the statement from literary criticism – "Kilka słów o Juliuszu Słowackim". In the case of the second of the authors I am mostly interested in his mystical poetry, written in the years 1842-1849, but I also recall his poems: "Godzina myśli" and "Beniowski". Selected works of both authors are considered as examples of the poetic statement, in which a huge role is played by widely understood visuality (or more broadly – sensuality) and optics. An important context of my inquiries is placed in the essay by Maurice Merleau-Ponty devoted to the relationship of the eye and the mind in painting. Visuality in Krasiński’s poems is a useful tool to express feelings, past and expected experiences, and extraterrestrial, eternal fulfillments. Metaoptic poet reflections provide material for the construction of images, which are equally effects of looking and results of creative efforts. Słowacki’s epiphanic-mystical experience of the years 1842-1844, recognized by the poet as revelations, brought about the need to look beyond the boundaries of the physical world. Spiritualist radicalism of his late works contribute to the intensification and metaphorical transformations of the sense of sight. The eye and the mind can be found here in the mutual entanglement, acting at the same time as one of the main vehicles of poetry and the poet epistemological effort. My conclusion is the finding that the visual-optical themes in the poetry of both authors are effects of extremely careful acts of seeing, and also bring in-depth analysis of the work of the sense of sight (both bodily and internal).

3

Vigilant existence in the earthly life. Yet again about the predominant feature in Bolesław Leśmian’s poetry

51%

Łukaszuk M.

Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego

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2018

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vol. 4

241-260

EN

The given article concerns a significant problem in the reflection about the works of B. Leśmian. On his poetic ontology, i.a. M. Głowiński, J. Trznadel, Z. Łapiński, have written. The authoress arranges research perspectives. By suggesting careful reading of the works, she considers that the dominant character of the Leśmian’s poetic imagination is positive “ontology”: the strong being and the reality of the world.

PL

Artykuł dotyczy istotnego problemu w refleksji o twórczości B. Leśmiana. O jego poetyckiej ontologii pisali między innymi M. Głowiński, J. Trznadel, Z. Łapiński. Autorka porządkuje perspektywy badawcze. Proponując uważną lekturę utworów, za dominantę wyobraźni poetyckiej Leśmiana uznaje “ontologię pozytywną”: mocny byt i uznanie realności świata.

4

Rozum i wyobraźnia w La Psychanalyse du Feu Gastona Bachelarda

51%

Ples-Bęben M., Śląski U.

Internetowy Magazyn Filozoficzny Hybris

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2016

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vol. 35 (4)

EN

The aim of the article is to analyse the relation between the mind and imagination as the main issue of Gaston Bachelard’s book The Psychoanalysis of Fire. The book was published in 1938 and originated Bachelard’s research on the poetic imagination; however, it extended the research into another project of this French philosopher which he refers to as psychoanalysis of objective cognition. That is why The Psychoanalysis of Fire is a unique book among Bachelard’s achievements – two subjects of the research are connected there: scientific cognition and poetic imagination, which in the further years of Bachelard’s activity are separated. In the context of the article’s main aim, there appears also an interesting theme of psychoanalytic inspiration, introduced by Bachelard to his philosophy in two of his works published in 1938, one of which is The Psychoanalysis of Fire itself.

5

Rimbaudysta Julian T., Tuwim od łobuzów, Tuwim dla dzieci

51%

Kuczyńska-Koschany K.

Porównania

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2019

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vol. 25

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issue 2

317-340

EN

Julian Tuwim (1894-1953) was a studier of Rimbaud in numerous ways: he read Jean Arthur Rimbaud (1854-1891) and translated his poems. He knew his poetry by heart and recited it. He worshiped the French poet and he visited his grave in Charleville and left him a bunch of red roses. He considered Rimbaud the greatest poet of all. Tuwim, probably, in the most interesting fashion assimilated and smuggled Rimbaud into his own poetry, at all its levels. Tuwim and Rimbaud are connected by what might be called the childishness of the poetic imagination. Both of them are literary rogues who are characterised by their creative disinvolture.Both of them advocate anarchy at a high artistic level.

PL

Julian Tuwim (1894-1953) był rimbaudystą na różne sposoby: czytał Jeana Arthura Rimbauda (1854-1891) i tłumaczył jego wiersze; znał je na pamięć i recytował; wielbił francuskiego poetę – odwiedził jego grób w Charleville z pękiem czerwonych róż, uważał go za największego poetę świata. Najciekawiej, być może, przyswajał i przemycał Rimbauda we własnej twórczości, na wszystkich jej poziomach. Tuwima i Rimbauda łączy to, co można by nazwać dziecięcością wyobraźni (poetyckiej), obydwaj są łobuzami literatury, twórcza dezynwoltura spokrewnia ich w wielu miejscach. Obydwaj anarchizują na wysokim poziomie artystycznym.

6

Człowiek Kosmiczny – moriturialny – miłosny w późnej poezji Leśmiana. Studium z antropologii wyobraźni

51%

Zwierzyński L.

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

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2018

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issue 7

211-227

EN

The paper is aimed at describing the transgressive anthropological model of Leśmian’s late poetry. The research was inspired by poetic activities of the poet himself, who in his poem Zwiewność (Ethereality) created a new “mystical” poetic image, and then extracted an unusual material and metaphysical form of human existence from it. This work of poetic creation is turned in the article into the lens of imagination which allows to perceive adequately new radical forms of human existence and phenomena occurring in their creation, such as destruction, metamorphoses and transgressive fusion with the cosmos as well as the matter of this existence (rhythm and movement).

PL

Próba opisania transgresyjnego modelu antropologicznego późnych wierszy Leśmiana. W badaniu inspiracją stały się poetyckie działania samego poety, który w liryku Zwiewność stworzył nowy „mistyczny” obraz poetycki, a następnie wysnuł z niego niezwykłą, materialno-metafizyczną formę ludzkiego bytu. Z tego dzieła poetyckiej kreacji uczyniono w artykule wyobraźniową soczewkę, umożliwiającą adekwatny ogląd nowych radykalnych form ludzkiego bytu i wydarzających się w ich powstawaniu zjawisk – destrukcji, metamorfoz i transgresyjnego scalania z Kosmosem, a także materii owego bytu (rytmu i ruchu).

7

A Radical Change in the Belavieža Cultural Tradition: The Inventive and Provocative Verse of Viktar Siamaška

51%

McMillin A.

Studia Białorutenistyczne

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2023

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vol. 17

195-224

EN

The poetry of Viktar Siamaška brings a strong and radically new contribution to the literary heritage of the Bielavieža group of Belarusian writers in eastern Poland. His mainly short, even minimalist, verses strike fresh and unconventional notes, rich in wordplay, euphony, anaphora and palindromes in all the themes he tackles, such as family, ageing and death, religion (particularly his Catholic faith), urban and rural life, the latter including many fantastic, personified images; his view of the city is dyspeptic from Moscow to Paris with Miensk in the centre. Musician and journalist as well as avant-garde poet, his five books to date (2010–2023) are both challenging and stimulating. Adventurous in form on the page, their lexical range is broad, not least in the use of non-standard, previously taboo words. A whole study could be made of Siamaška’s fantastic imagery and metaphoric structures, but the present study is devoted only to an overall picture of his poetic achievement to date.

BE

Паэзія Віктара Сямашкі ўносіць прыкметны і радыкальна новы ўклад у літаратурную спадчыну Беларускага літаратурнага аб’яднання „Белавежа” ва ўсходняй Польшчы. Кароткія, нават мінімалістычныя вершы паэта ўражваюць арыгінальнымі і нетрадыцыйнымі моўнымі сродкамі, такімі як гульня слоў, эўфанія, анафара і паліндром. Не менш уражвае і тэматычны дыяпазон паэзіі Сямашкі: ад сямейных праблем праз старэнне і смерць, рэлігію (асабліва каталіцкую) да жыцця ў горадзе і ў вёсцы, ад Масквы да Парыжа, з Мінскам як цэнтрам сусвету. Пяць кніг паэта-авангардыста, музыканта і журналіста, апублікаваныя дагэтуль (у 2010–2023 гг.), уяўляюць сабой выклік, але таксама натхненне для чытача, дзякуючы іх непаўторнай мове і аўтарскаму стылю: смеламу выкарыстанню наватарскай лексікі і парушэнню моўных табу. Фантастычная вобразнасць і метафарычныя канструкцыі Сямашкі заслугоўваюць асобнага глыбокага даследавання; даны артыкул дае толькі агульнае ўяўленне пра творчасць гэтага знакамітага паэта, пра яго важнейшыя дасягненні на сённяшні дзень.

PL

Poezja Wiktara Siamaszki stanowi znaczący i radykalnie nowy wkład w dziedzictwo literackie Białoruskiego Stowarzyszenia Literackiego „Białowieża”. Krótkie, wręcz minimalistyczne wiersze poety uderzają niebanalnymi i niekonwencjonalnymi środkami językowymi, takimi jak gra słów, eufonia, anafora czy palindrom. Równie imponująco prezentuje się tematyka poezji Siamaszki: od problematyki rodzinnej, poprzez starzenie się i śmierć, religię (szczególnie wiarę katolicką), aż po życie w mieście i na wsi, od Moskwy po Paryż, z Mińskiem jako centrum wszechświata. Pięć wydanych dotąd (w latach 2010–2023) książek tego muzyka i dziennikarza, a także poety awangardowego dla odbiorcy stanowi zarówno wyzwanie, jak i inspirację głównie ze względu na szatę językową: odważnym operowaniem nowatorskim słownictwem oraz przełamywaniem językowego tabu. Wyobraźnia poetycka oraz metaforyka Siamaszki wymagają szerszego opracowania, niniejszy artykuł został poświęcony jedynie ogólnej prezentacji twórczości poetyckiej tego zasługującego na uwagę poety.

8

Cztery cząstki wyobraźni poetyckiej Juliana Przybosia: Podgórze i gotyckie katedry, Holokaust i Atlantyk

45%

Obremski K.

Tematy i Konteksty

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2019

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vol. 14

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issue 9

663-681

EN

The paper consists of two parts. The first one is dedicated to Przyboś as a son of Podgórze and to his relations with gothic cathedrals. The second one is dedicated the connection between the Atlantic and the Holocaust, and it is con-stituted around the idea of double vastness: the enormity of ocean waters and the martyrdom of the Jews; the poetic importance, however, lying not only in the very comparison, but in the possibility of proving its legitimacy.

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