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It was always so affecting this building, dedicated to the children of Yad Vashem. Every things goes in the dark and being traversed by a handrail, while we can see many lighted points around us in this space: the stars that remember so many missing children. There is a different set up and different things but I also found another beautiful and touching museum dedicated to the children, including those in the museum Yad Lailed opened in Kibbutz Lohamei He Ghettaot, founded by survivors of Warsaw Ghetto. The section devoted to children, in 1994, intends to make them understand the Holocaust without too much trauma. The shape is a spiral. The children and their families had been sucked into a spiral of violence. But here we want to bring a message of life. The final room is devoted to the children that have been survived. During the path they can be worked to reconstruct through didactic materials, you can set in a circle, the other groups present stories with their characters. Let’ us start with the round room with colorful windows, copies of drawings of the children that speak about in the time of the camp, what it should be the room at the end of the route. Above, there is a figure of a butterfly that remembers you a well noun poem about a butterfly in the ghetto. And together with the Sun means the hole of life. The blue sky always is present in the drawings. The real Sun threw the first to the last room can enter into darkness recesses of the Warsaw ghetto. We can read sentences or phrases of the children of that time: “ I want to take with me my clown, but my mother says- the case was already closed”. We can pass threw the dun sacks made with the gray old clothes that keep inside them all their memories when they were ready quickly, a reason to talk about how many people lived every day life In their homes in the past. Then we are walking into the tracks that break: and there are images of Jews pushing each others by the trains. There is a crowed of people that we can’t see their faces; people without identity. Other people with the recovered memory you enter in the darkness. There is a round dark room. Even in a spiral shape. In the center, there is a lighted candle. You can start from the dark even though there is so little light of the Sun that it is drawn by the children. Our guide explain that it isn’t necessary to emphasize to tell about the tortures. This, we can learn later. The message here should be positive. At the end of all there is the Sun, the Light. The life begins again. You can release from drama. For this reason it is necessary to insist for theatre and sculpture, and drawing on research. The children have the possibility with the help of this instruments, with the help of the narrative to be free from drama.
EN
During the 1800’s – before the well-known genocide, planned in the twentieth century – there were massacres and persecution on Armenian villages. It is important to underline that many Christian Armenians lived in Ottoman Empire. At the beginning of 1800’s they paid many taxes and felt themselves an important part of the Empire. Thus they would have liked to achieve more significant public roles, without losing their religion and cultural background. Howewer, the Turkish leaders and population were against their aspirations. Moreover, Armenian communities were hard-working and relatively wealthy, thus both Catholics and Protestants (the Protestant Millet, an Evangelic Armenian Movement) hoped to steal their goods. There were International problems: the revolt of Bosnia Erzegovina and Serbia, the Russian ambition. At the same time, the Young Turks took power in Turkey and to be Muslim became a fundamental requisite: obviously this requirement turned into a problem for Armenians.European countries guaranteed a protection, but at the end there were only some petitions and motions. The Berlin Agreements were worthless. In 1864 the town of Sasun was destroyed, after three weeks of massacres. In 1895 there were some bloody repression in Constantinople, Trebizond, Akhisar. Followed the martyrdom of Zeythun, a mountain town of Cilicia: the Armenian revolutionary movement was in the infancy, unable to stop massacres. The few survivors were forced to convert. And the worst was is yet to come.
EN
What are my impressions of San Francisco, after a month’s stay? A city wrapped in a thick mist, in a fog obstructing the panorama. Cold. A city, less frequently, with a clear blue sky, silhouetting the hills and buildings. Low houses, of two or three stories, each with their own characteristics, with their own individual style, often delicate, well cared for. With interesting architectural decorations, bay windows allowing you to glimpse objects clearly held dear by their inhabitants: pottery, flower vases. American flags. Religious images. Near where I live, in the Mission, a largely Mexican neighborhood, I often pass an image of Christ that changes physiognomy depending on my distance: now he seems to have an eye closed, now he seems to be looking out with two alert eyes. The houses generally have wooden steps; blue, pink, green in various gradations, yellowish. Also purple. They evoke European architecture, some are Victorian in style. Downtown, instead, skyscrapers characterize the business and bank district.
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