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Zaangażowanie, bierność i skandal. „Piosenkowe strategie” w konfliktach międzypokoleniowych

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Łukowicz M.
Facta Ficta. Journal of Theory, Narrative & Media
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2021
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vol. 8
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issue 2
319-332
EN
The article aims to present the analysis of three Polish songs that are treated in the social space as important statements by „voices of their generation”. Jacek Kaczmarski in Our Class [Nasza klasa], Zygmunt „Muniek” Staszczyk in the song This nurture [To wychowanie] and Michał „Mata” Matczak in Pathointeligency [Patointeligencja], expressing the problems of their peers, occupy a specific place towards the older generation, which is symbolized by the educational system. Using a different music genre and functioning in different socio-political realities, each of the artists also proposes a different strategy of „fighting” in a generational conflict, which ranges from (apparent) passivity, through commitment, to rebellion. The interpretation of the aforementioned cultural texts (the song is understood as a multi-code message with a solid performative potential) considers their verbal and musical content and the historical and performance context, and the dynamically changing reception. The analysis of the differences and common points of the mentioned texts is intended to capture the phenomenon of popularity of these three completely different songs, which confirm that the most fortuitous statements of specificity and generational distinctiveness in the art use the mechanism of dispute.
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Wyreżyserować lekcję. Nauczyciel jako aktor, reżyser i mistrz

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Łukowicz M.
Z Teorii i Praktyki Dydaktycznej Języka Polskiego
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2020
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vol. 29
71-85
EN
The article’s aim is to compare the specificity of two theoretically quite remote professions - that of a film director and a teachers. The analysis of differences and convergence points of the said jobs is to capture and particularise the potential of their mutual inspiration. What constitutes the exemplary material around which the presented research revolves are: the elements of the school didactic-upbringing process, work with film crew, and producing and theatrical play. Significant reference points for the analysis were the greatest role models in the field of pedagogics and film directing.
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