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PL
Dobrze zorganizowane archiwa radiowe są dziś nie tylko ważną częścią dziedzictwa kulturowego ludzkości, ale też kluczem do sukcesu w zakresie dotarcia do odbiorców, którzy słuchają radia nie tylko w tradycyjnych odbiornikach, jak również są coraz ważniejszym elementem procesu produkcji radiowej. W artykule zostały przedstawione różne przykłady praktyk stosowanych w tym zakresie zarówno przez stacje społeczne w Europie, jak i nienastawione na zysk inicjatywy radiowe w Polsce – koncesjonowane i internetowe stacje studenckie.
EN
Nowadays, radio archives are not only an important part of the cultural heritage of mankind, but also a key step for reaching the audience and developing production process. This article presents various examples of practices relevant to community radio in Europe and nonprofit radio initiatives in Poland. Conclusions are being drawn by using licensed and internet student stations as case studies.
EN
This article analyses the first licensing process carried out after the adoption of the Broadcasting Act in Poland in 1992. Great excitement surrounded the award of the first television licenses – especially nationwide licenses. However, this article focuses on an analysis of this process in the case of radio broadcasting. It is based on documents gathered in the Archives of the National Broadcasting Council, particularly on reports of meetings with the candidates for radio broadcasting. The analysis also includes articles published in newspapers. A personal interview with the Vice-Chair of the National Broadcasting Council was also used. The study aimed to determine the shape of the Polish radio market desired by the National Broadcasting Council and the focus of this institution during the first licensing process. The author noted that the Council concentrated on the financial aspects of the submitted applications. This thesis corresponds well with the trend observed by media experts in the transformation of media systems in Eastern Europe in the early 1990s and how market logic prevailed when shaping the new media system.
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EN
While the community media sector may be reported as established and well developed in Western Europe, it has grown considerably more slowly in almost all countries in Central and Eastern Europe. Th e literature on community media in Europe is also Western oriented — most of the publications about this sector centre on countries which were located on “the better side” of the Iron Curtain and have been written by Western authors. Th is paper is the fi rst attempt to look at the problem of community media in Central and Eastern Europe in general and present the specifi c problems of community media development in this region from an Eastern perspective. According to the Mapping Project of Community Media completed by the Community Media Forum Europe in 2012, the community media sector is legally recognized in only four countries from this region.
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