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The article attempts to outline how the commemorative nature of the Eucharist determines the poetics of plays within the Eastern Christian liturgy. Starting from the theological and anthropological aspect of memory, the process is shown in which the liturgy not only uses memory as a factor in the experience of art, but also begins to create itself through its awareness and memory. The article analyzes the issues of painting poetics, the forms of things in the liturgical theater, and the memory forms of the liturgy, which from the level of memory become artistic forms.
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