The analysis presents new expression forms of feminine identity in the plays of Paloma Pedrero from the collection Noches de amor efimero. Based on the interpretation of the theatrical and stage features as well as on the subject of m an–woman relationship undertaken in Esta noche en el parque, Solos esta noche, La noche divina, De la noche al alba y La noche que ilumina, the transformation of the contemporary Spanish drama written by women is demonstrated.
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