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  1. 1 Klípa J.

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  1. 1 2008

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The Madonna of Vyšší Brod and the Madonna of Wrocław and their Donors

100%
Klípa J.
Biuletyn Historii Sztuki
|
2008
|
vol. 70
|
issue 3-4
285-302
EN
Two panel paintings, representing the late phase of the ‘beautiful style’: a Madonna from Vyšši Brod and a Madonna from the Wrocław cathedral, are discussed. The Author specifies when they were created and locates them within the panorama of the pre-Hussite and Hussite era painting; moreover, their donors are identified (respectively: Simon of Nymburk, Prague Canon, and Konrad IV, Duke of Oleśnica). Both effigies of Our Lady are close in their craftsmanship and the time of execution (late 1420s). The Author’s ascertainment sheds new light on the issue of the quality of painting in the Bohemian territories by the end of Wenceslaus IV’s reign.
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