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LITERÁRNÍ CENZURA A AUTOCENZURA V ČÍNĚ: DVĚ PŘÍPADOVÉ STUDIE

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Hladíková K.
World Literature Studies
|
2018
|
vol. 10
|
issue 4
58 – 71
EN
Starting with Mao Zedong’s “Talks at the Yan’an Forum” delivered in May 1942, literature in China was seen as the key tool of propaganda. Censorship has been a natural part of the Chinese literary system established after the founding of the PRC. The centralized, state-controlled literary establishment was gradually abolished during the post-Mao era, but the basic principles in the official Party discourse remain. Two case studies focused on one of the most sensitive topics, minority nationalities, provide a deeper insight into the ideological back-grounds and aims of Chinese censorship, which can be summed up by notions of social harmony and stability.
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