Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

HODNOTY INDUSTRIÁLNEHO DEDIČSTVA A ICH SKÚMANIE: PRÍPAD BRATISLAVA

100%
Bartošová N., Haberlandová K.
Muzeológia a kultúrne dedičstvo
|
2017
|
vol. 5
|
issue 2
107 – 123
EN
The industrial architecture of the 19th and 20th century offers various ways in which it can be studied from the point of view of modern architectural history. In the same time, this notion is shared just by a small number of experts – historians, architects or art historians – and the subject of industrial heritage stays to a large extent a domain of civic activism. The growing interest of civic associations is driven by an outrage of rapid demolition of a number of key historical industrial sites in Bratislava in the recent past. In the contrast to the public interest, the expert research of industrial heritage might seem as less effective and understandable. The aim of this paper is to highlight the importance of existing expert research in a connection with interdisciplinary methods that are not yet developed sufficiently. The interdisciplinary team-work has to be done both on the level of official state heritage protection policies and civic activism, as it is confirmed also via contemporary international heritage discourse.
2

INNOVATIONS IN ARCHITECTURE AND THE IMPACT OF ARCHITECTS´ MOBILITY ON THEIR APPLICATION: THE CASE OF THE NEW BUILDING OF THE SLOVAK NATIONAL THEATRE IN BRATISLAVA

100%
Haberlandová K., Krišteková L.
Historický časopis (Historical Journal)
|
2023
|
vol. 71
|
issue 5
867 - 894
EN
The study deals with the topic of initiation, development and implementation of the idea of constructing a new theatre building in Bratislava. Although the idea to build a modern Slovak National Theatre has its origin already in the interwar period, it was only realized in 2007, when the new theatre building was opened. The long process of the preparation and construction of the theatre was primarily determined by the complexity of this task, which could not be solved satisfactorily for decades. The competition for the design of the theatre was preceded by an urban competition for its location, where a decision was made between seven variants spread across the city. Later, the conditions of the architectural competition for the building (1979) were formed, which made extremely high demands on the architects, because the main goal was to create an innovative architecture not only from the formal, but also a technological point of view. In addition, another important goal was to combine spaces for drama and opera in one building, which was a unique solution at that time. Using the example of the genesis of thinking about the new modern theatre building as one of the national cultural institutions, the study identifies and describes the key moments of the post-war architectural discourse. The aim of the text is to expand urban and historical-architectural research with new topics, especially focused on the reflections of the foreign architectural scene in relation to innovations in the architecture. It is also so far the most detailed analysis of the crystallization of the designs of the new Slovak National Theatre, closely linked to the wider context of post-war buildings intended for culture purposes in Slovakia, which are becoming national cultural heritage today.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.