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EN
The theme of this essay is not so much Marx himself as socio-cultural and intellectual situation which has developed over twenty years of systemic transformation and which has had a substantial impact on the ways of reading the author of Capital. In our culture Marx is no longer a theorist whose work is essential for understanding the social world. Instead, in the mass imagination he has become a monster figure. I refer to some of the ways of reading Marx and try to explain them in the Marx’s manner: through a specific attempt to clarify and operationalize the category of intelligentsia as a class of servants. I use this discussion not only to describe the situation but also to situate it within the field of sociology of knowledge and epistemology.
EN
The article presents the concept of aesthetic zero and examples of benefits of its use in a reflection on modern art.
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