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1

On the Drafts of the Poem “Mr. Cogito and the Imagination”

100%

Fornari F., Mazurczak F.

Konteksty Kultury

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2019

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vol. 16

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issue Special Issue (2019)

58-70

EN

The article subjects to analysis selected motifs from Zbigniew Herbert’s poem “Mr. Cogito and the Imagination” based on the draft copies of the work that are stored in the poet’s archive. An analysis of the manuscripts, which reveals a different, hidden aspect of the final text, allows for the investigation of what was omitted in the process of creation, such as the motif of Daedal and the reference to the Upanishads, and traces the development of the significant themes of the poem: a concept of identity and the notion of tautology.

2

O brulionach wiersza Pan Cogito i wyobraźnia

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Fornari F.

Konteksty Kultury

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2018

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vol. 15

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issue 1

28-40

EN

The article subjects to analysis the selected motifs of the Zbigniew Herbert’s poem Mr Cogito and the Imagination based on the draft copies of the work stored in the poet’s archive. The analysis of the manuscripts, which reveals a different, hidden aspect of the final text, allows to investigate what was omitted in the process of creation, e.g. the motif of Daedal and the reference to the Upanishads, and trace the development of the significant themes of the poem: a concept of identity and the notion of tautology.

PL

W artykule analizowane są wybrane wątki wiersza Zbigniewa Herberta Pan Cogito i wyobraźnia na tle brulionów tego utworu znajdujących się w archiwum poety. W analizie rękopisów, które odsłaniają inną, ukrytą stronę tekstu ostatecznego, można badać to, co zostało opuszczone w trakcie tworzenia, na przykład wątek Dedala i odwołanie do Upaniszad, oraz śledzić rozwój ważnych motywów wiersza – koncepcję tożsamości i pojęcie tautologii.

3

O anatomii radości – w archiwum

100%

Fornari F.

Fabrica Litterarum Polono-Italica

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2024

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issue 2(8)

1-16

IT

Emozione destabilizzante, imprevedibile ed effimera, non priva di aspetti etici, la gioia può manifestarsi anche durante l’attività intellettuale (Misrahi, Lénoir). „Piacere, gioia, felicità” sono termini ricorrenti nei testi di chi studia quegli affascinanti oggetti „recalcitranti” che sono i manoscritti: con esempi scelti da Agamben, Corti, Farge, Grésillon e Zweig, l’articolo riflette sulla particolare esperienza della gioia nell’archivio. Dall’attesa della consegna del „materiale vivo” del manoscritto, al gesto „lento e poco redditizio” della trascrizione dei „segni intimi” della scrittura, alla lettura, dove si mescolano „passione e ragione”, la gioia può sorprendere chi si immerge nelle tracce delle parole degli altri, nelle prospettive sempre aperte delle carte dell’archivio, „universo in miniatura”.

EN

Joy as a destabilizing, unpredictable, and ephemeral emotion, laden with ethical dimensions, can also manifest itself as a consequence of intellectual engagement (Misrahi, Lénoir). Pleasure, joy, happiness are recurrent themes in the literature of scholars delving into the intricate realm of “recalcitrant” manuscripts. Drawing upon examples from Agamben, Corti, Farge, Grésillon, and Zweig, this article delineates a phenomenology of joy within archival contexts. From the anticipation of receiving the “living material”of a manuscript to the “slow and unprofitable” process of transcribing the “intimate signs” of writing, and through the act of reading where “passion and reason” intertwine, the experience of joy can astonish those who immerse themselves in the traces of others’ words, within the perpetually unfolding vistas of archival papers, like a universe in miniature.

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2 Konteksty Kultury

1 Fabrica Litterarum Polono-Italica

3 Fornari F.

1 Mazurczak F.

1 2024

1 2019

1 2018

On the Drafts of the Poem “Mr. Cogito and the Imagination”

O brulionach wiersza Pan Cogito i wyobraźnia

O anatomii radości – w archiwum