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Сучасна українська проза після 24 лютого 2022: рецепція війни

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Trofymenko T.
Studia Interkulturowe Europy Środkowo-Wschodniej
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2023
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vol. 16
97-113
EN
Modern Ukrainian Prose after 24 February 2022. Reception of the War: The article analyses Ukrainian prose works published after the Russian aggression against Ukraine on 24 February 2022. Generally, the newest Ukrainian prose gravitates more towards the non-fiction genre framework. It is represented by numerous anthologies, mainly with pieces by famous writers, literary critics, and public figures. The authors record personal experiences and reflect on the history of the Russian-Ukrainian confrontation in historical retrospect. Today, the non-fiction format is more popular because it allows essayists to talk about painful topics from a more moderate position and broadcast the situation of Ukrainians to the international community through the mobile genre of short journalistic prose. At the same time, the revaluation of values experienced currently by millions of Ukrainians is manifested in the tendency to cancel everything Russian, which affects the course of the literary process and the distribution of roles among its players, as well as causes the appearance of texts whose style is dominated by hatred of the enemy of the occupier.
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Рукописи Івана Дніпровського та історія Розстріляного Відродження

100%
Trofymenko T.
Studia Polsko-Ukraińskie
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2024
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vol. 11
161-176
EN
The article deals with texts of Ivan Dniprovsky, a Ukrainian writer belonging to the Executed Renaissance period. As a representative of the Mykola Khvylovy’s generation, Dniprovsky was a popular writer in Kharkiv in the 1920s-1930s. Today, his name is undeservedly forgotten. The two texts by Dniprovsky considered in the article – the Literary Ribbons diary and the documentary novel Mykola Khvylovy – are valuable sources of information about that era and the artists who created a new Ukrainian culture, the majority of whom were destroyed during Stalin’s repressions. The writer’s ego-documents record not only the facts about the literary processes of that era, but also the feelings, emotions, and psychological portraits of his comrades, among whom Mykola Khvylovy, the leader of the Red Renaissance generation, occupies a prominent place. The study of the memoir heritage of Ivan Dniprovsky is an important task for the history of Ukrainian literature, biography and textology.
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