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1

Quo Vadis, Homo Viator? / Journeys in Jože Hradil’s Faceless Pictures

100%
Tapodi Z.
Acta Universitatis Sapientiae, Philologica
|
2015
|
vol. 7
|
issue 1
113-121
EN
In Jože Hradil’s Faceless Pictures [Slike brez obrazov] the characters go astray or get into the attraction of adventures and set off for a journey. The spiritual and identity shifts can be interpreted along these eternal human desires as well. A patchwork of remembering and forgetting, the internal journeys of identity preservation, spontaneous or forced assimilation, tolerance and all kinds of politics-induced human deformations are depicted in the novel. The text traces the roles of the journey defined by Jean Chevalier and Alain Gheerbrant such as the search for justice, peace, immortality and finding the spiritual center. This study examines how the concrete physical journey changes into an internal road determining the evolution of personality.
2

Translation and Transtextuality

100%
Tapodi Z.
Acta Universitatis Sapientiae, Philologica
|
2014
|
vol. 6
|
issue 1
45-51
EN
Umberto Eco’s novel The Name of the Rose as a postmodern literary work is extensively based on transtextuality. There are series of quotations from the Bible, Petrus Abelardus, St. Bernard, Petrarch, Conan Doyle, Agatha Christie, Jorge L. Borges, Nietzsche, and other classic authors interwoven into the novel’s narrative. The text is a result of multiple translations, a truly intercultural adventure: Adso, a 14th-century German monk from the Melk monastery provides a Northern Italian travel experience in Latin language, this memoir is translated by the publishing narrator into the Italian language of the 20th century. The characters of the story come from different areas of Europe, as there are monks from England, Spain, Norway, Germany, and other countries. This paper sheds light on the problems that occurred during the novel’s translation.
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