Search results

1

Проза Ивана Шмелева в контексте духовной парадигмы русской литературной классики (в перспективе избранных аспектов русского шмелеведения последних лет)

100%

Horczak D.

Studia Rossica Posnaniensia

|

2012

|

issue 37

67-78

EN

This article, based on some contemporary Russian literary research studies, contains a reflection on Ivan Shmelov’s prose in the context of the spiritual paradigm of Russian classical literature. Typical Shmelov motifs, such as the “Holy Rus”, a monastery as a symbol of an Orthodox center, the spiritual life of heroes, the individual and national internal way towards a new religious Renaissance – are developed in the manner of “spiritual realism”. They are also linked with the religious themes and aspects of the prose of Russian emigrant writers as well as with prerevolutionary pieces of literature, including texts from the time of old Russian literature.

2

Историко-геопоэтическая позиция нарратора в цикле рассказов Ивана Шмелева „Сидя на берегу”

100%

Horczak D.

Studia Rossica Posnaniensia

|

2016

|

issue 41

83-94

EN

The article is devoted to an analysis of the historical and geopoetic perspective on narration in the series of Ivan Shmelev’s short stories Sitting on the River Bank. In these works, the geographical area of France becomes the prism through which the narrator perceives and interprets the cultural space of Russia.

3

Принцип игровой пародийности в художественном. тексте Григория Остера „Вредные советы”

100%

Horczak D.

Studia Rossica Posnaniensia

|

2015

|

vol. 40

|

issue 1

19-29

RU

This article is devoted to analyzing parodic play in Harmful Advice by Grigorij Oster. The game’s strategy in this text combines elements of the classical and post-modern interpretation of literary parody. By using the style of children’s literature, Oster exposes and parodies what is absurd in human thinking and behavior.

Refine search results

3 Studia Rossica Posnaniensia

3 Horczak D.

1 2016

1 2015

1 2012

Проза Ивана Шмелева в контексте духовной парадигмы русской литературной классики (в перспективе избранных аспектов русского шмелеведения последних лет)

Историко-геопоэтическая позиция нарратора в цикле рассказов Ивана Шмелева „Сидя на берегу”

Принцип игровой пародийности в художественном. тексте Григория Остера „Вредные советы”