Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

POETIKA V MNOŽNOM ČÍSLE (POZNÁMKY K NAJNOVŠEJ LITERATÚRE PREDMETU)

100%
Kazalarska Z.
Slovenská literatúra (Slovak Literature)
|
2019
|
vol. 66
|
issue 2
103 - 113
EN
The paper deals with the latest literature concerning the concepts of poetics and event. The searches conducted by the author are based on Petrer Zajac´s conceptual reflexion on new poetics, which is understood by him as poetics of text and poetics of event. In recent German (and partly also Czech) publications Kazalarska is seeking impulses for further development of theoretical background which would make it possible to grasp interconnections between poetics of text and poetics of event and track the points of transition between them as well as their potential overlaps and entanglements. The first part of the paper shows the current use of the conceptual dimensions of poetics, which is related to both the process of developing literary science into a cultural science and the process of establishing the concept of performativity. A comparably big „boom“ can then be recognized in case of poetics of event, which has been closely examined by literary science lately. The other part of the paper is focused on the question asking to what extent it is possible to talk about „eventness“ on the level of a literary text. What becomes the centre of attention is the materiality of writing, which belongs to the newest fields of poetics and which fulfils its poetic potential exactly on the interface between poetics of text and poetics of event and oscillates between the two types of poetics. The subject of the final thought is the literary historical place and poetological significance of the materiality of writing within Slovak literature after 1945.
2

POETIKA PRÍPRAVY: ČESKÉ A SLOVENSKÉ SCÉNY AUTOBIOGRAFICKÉHO PÍSANIA V 70. A 80. ROKOCH 20. STOROČIA

100%
Kazalarska Z.
Slovenská literatúra (Slovak Literature)
|
2016
|
vol. 63
|
issue 5
364 – 376
EN
This article deals with Czech and Slovak unofficial autobiographical writings (diaries, private letters, notebooks and samizdat sheets) from the normalisation period of the 1970s and 1980s. The author focuses on works by authors such as Ivan Diviš, Ivan Kadlečík, Dominik Tatarka, Ludvík Vaculík a Jan Zábrana and argues that they contribute to a dissident culture of short forms, which was typical for the literature of late socialism in Eastern Europe. Analysing their reflections and meta-reflections on the act of writing, as well as on writing materials, instruments and gestures, she comes to the conclusion that these writers thematise, problematize and make use of the same „scene of writing” (Rüdiger Campe) in their works: the scene of making notes. Defining notes not merely as products, but as a writing praxis with particular instrumental and gestural features, the author draws attention to the following five figures, which are essential for the elaborated programme of making notes: intransitivity, mobility, casualness, tentativeness and excess. In order to illustrate the „poetics of preparation” (Roland Barthes), shared and developed by the examined literary works, she uses as an example a collage by the Czech dissident and exile artist Karel Trinkewitz, in which notes and haiku poems are combined. She concludes that in the interpreted autobiographical writings the scene of making notes comes to the foreground; it is not only an object of narration, reflection and meta-reflection, but turns into a scriptural gesture of resistance towards the writing conditions in the 1970s and 1980s.
3

TRI POZNÁMKY K POETIKE PRÍPRAVY TEXTU

100%
Kazalarska Z.
Slovenská literatúra (Slovak Literature)
|
2017
|
vol. 64
|
issue 3
201 – 207
EN
The paper follows the current boom of using the term poetics in the humanities and gives examples mainly from the German context. With regard to this poetic turn, the author goes on to deal with new uses of the term in literary science, which are mainly related to the instrumental and technical, as well as physical and gestic aspects of literary production and their summary into a traditional set of poetic issues. The paper builds on poetic synergy of the „scenes“ of writing (R. Campe) during literary production and, in conclusion, it deals with the scenes of autobiographical writing in the literatures of Central and Eastern Europe. The concept of „poetics of preparation“ is suggested in order to characterize literary works which are oriented at aesthetic and poetic dimensions of manuscripts. In the author´s opinion, distinct poetics can be typically found, for instance, in small forms of the note-taking style of writing, which dominates in the field of unedited literature of the 1970s and the 1980s.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.