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The soundtrack for EO (Polish: IO), composed by Paweł Mykietyn, is a starting point for a discussion on the role of film music as a key element in shaping the atmosphere, characters, and narrative in the movie by Jerzy Skolimowski. Based on the concept of Zofia Lissa, the first Polish film music theorist of film music, and the research of Kathryn Kalinak, the author discusses the influence of sounds and musical motifs on the perception of the viewer. The article presents the functions of individual works used as tools to express the emotions of the characters and emphasize significant plot moments. The analysis shows how film music is an important element in the interpretation of an audiovisual work, influencing the viewer’s perception and adding new layers of meaning.
EN
The National Museum of Przemyśl District houses three iron acinaces of unknown origin. The very good state of preservation of all three items allowed for a full formal and typological analysis. It was revealed that all three specimens represent forms that are dated to the 7th–6th centuries BC. Although these objects come from unknown contexts, they expand the source base of Scythian military artefacts, making them an excellent source for further detailed morphological and technological analyses of Scythian swords and daggers.
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