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Cień Wschodu - Cień Zachodu. Praktyka artystyczna Ewy Partum w kontekście i wobec inicjatyw feministycznych w Berlinie Zachodnim

100%
Majewska-Güde K.
Sztuka i Dokumentacja
|
2024
|
issue 31
47-60
2
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Understanding with Water: Hydro-art in Osieki (1973)

100%
Majewska-Güde K.
Przegląd Kulturoznawczy
|
2021
|
issue 2 (48) Błękitna humanistyka
356-374
EN
The paper is located at the intersection of the art history of the Polish neo-avant-garde and the environmental humanities informed by feminist new materialisms. It proposes an interpretation of performative works in which artists used aqueous matter as an object of interaction, a source of artistic transcription, and as an active participant in artistic scenarios. It concentrates on works that were realized during the open-air art meetings in socialist Poland and in particular at the Osieki meeting in 1973 with the title The Art of Water Surfaces [Plastyka obszarów wodnych]. Based on the analyzed works, it offers a speculative reflection on Hydroart, which is defined as region-specific development parallel to land art practices.
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