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PL
Niniejszy tekst podejmuje próbę rozważenia relacji między ekonomią a kulturą poprzez analizę kategorii kapitału kulturowego Pierre’a Bourdieu w kontekście jej zakorzenienia w koncepcji kapitału Karola Marksa. Celem artykułu jest próba odpowiedzi na pytanie dlaczego kapitał okazuje się niezbędną kategorią analityczną, bez której nie da się uchwycić i opisać mechanizmu kapitalizowania zasobów symbolicznych tak charakterystycznego dla logiki późnego kapitalizmu.
EN
This text attempts to consider the relationship between economics and culture through the analysis of the category of cultural capital of Pierre Bourdieu in the context of its roots in the concept of Karl Marx’s capital. The main aim of the article is an attempt to answer the question of why capital seems to be necessary analytical category, without which it is impossible to capture and describe the mechanism of capitalizing symbolic resources so characteristic for logic of late capitalism.
EN
The local topography in Opatów is represented by two characteristic buildings – the Romanesque Collegiate Church of St. Martin and the later Bernardine Monastery and Church of the Blessed Virgin Mary. In the article we analyse the place of the monastery in the local collective memory with regard to its complex relations with the collegiate church, drawing on various accounts (individual and institutionalised). We ask how the narratives focused on both these institutions make up a dynamic conglomeration of meanings, defining their mutual local symbolism. In addition, we demonstrate how this symbolic influence on the level of social practices extends to spheres like the perception of the local topography and functioning of a religious institution (parish) in the life of the local community.
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