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EN
Through this paper, the author tries to explore a simple yet complex question: how do we decentralize the human presence in conversations about climate-change? To do so, this speculative climate 2ction is presented through the non-human narrative perspective of mycelium (fungi). The speculative fiction provides a space for re-thinking our ontological and epistemological strategies and categorizations of nature/culture division, as well as how we understand nature in relation to human.The speculative climate-fiction proposes a reconsideration of human in relation to nature/climate, through fungi. It further explores how sensory, bodily, and multimodal methodologies may work in interaction to produce new possibilities to explore the corporealities of human-nature relationships and how a non-anthropocentric understanding of climate-change can allow for an emerging engagement with a vast mesh of human and beyond-human agencies. Drawing inspiration from Sylvia Plath, Ursula K. Le Guin, Margaret Atwood, and using Erin Manning’s understanding of a5ect as having a feltness that we often experience as a becoming-with, in this case, a becoming-with nature, the speculative-fiction (SF) is written as a dialogue between fungi and human. The SF also uses artwork created with mushrooms, fungal roots, as well as mushroom extracts, to exaggerate the presence of beyond-human beings in a new onto-epistemic strategy that reconsiders climate change and human–nature relationships.
EN
In this autoethnographic writing, we explore the concepts of longing and belonging through a collaborative writing process that is fictional at times and autoethnographic at times. We present an experimental and arts-based approach to analyzing and understanding memories, and themes of nostalgia, belongingness, and longing in the present day. Through our autoethnographic fiction (Bochner and Ellis 2016; Ellis 2004) we explore questions such as: what is it like to long and belong, what is it like to long for a future that is embedded in the past, what is it like to futurize/co-futurize memories, and what if the past is the pre-present? As immigrants to Toronto, coming from nations that were once colonized, and still remain in the peripheries of colonization, we ponder about our bodies occupying the third space that we are living in, the feelings of nostalgia and belonging in our fiction. We write about our belongingness to our roots and the trajectories of our beings and think what decolonizing the the concept of memories might evoke. Methodologically, we draw from Erin Manning’s (2016) idea of going against method to propose a collaborative autoethnographic fiction writing and collaging practice that implicates our memories and bodies with our surroundings and other bodies, human, beyond human, and material, as instruments of research. We suggest that the decolonization and dehistoricization of memories and our conceptions of longing, belonging, and creating futures embedded in the past can happen by futurizing our notions of memories. We hope that writing a fiction in conversation with one another and in synchronicity of each other’s experiences will allow us to deconstruct and problematize our understanding of memories, the frictions between avant-garde and nostalgia and interspersing the collaging practice will allow us to build our stories and explore belongingness and nostalgia, longing for something indefinite and unwanted memories.
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