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PL
Celem artykułu jest analiza słownictwa religijnego związanego ze sferami sacrum i profanum w powieści Nowe wędrówki Oryginała Józefa Korzeniowskiego. Odnajdujemy je zarówno w części wstępnej – realistycznej – badanego tekstu, jak i w części z elementami fantastycznymi. Oddaje ono pobożność włościańską i drobnoszlachecką – żarliwą i przywiązaną do tradycji, która zostaje przeciwstawiona zepsuciu wielkiego świata. Słownictwo religijne w omawianej powieści należy zaliczyć do warstwy realistycznej, co potwierdza trafność sytuowania dorobku pisarskiego Józefa Korzeniowskiego w obrębie nurtu protorealistycznego.
EN
The objective of the article has been to analyse the religious vocabulary referring to the sphere of sacrum and profanum in the novel Nowe wędrówki Oryginała written by Józef Korzeniowski. Such words may be found both in the introductory realistic part of the investigated text and in the part with fantastical elements. It renders the peasant and petty gentry piety – zealous and attached to tradition, which was in opposition to the corruption of the world outside. The religious vocabulary in the novel in question should be classified as realistic, which confirms the accuracy of placing the literary production of Józef Korzeniowski within the protorealistic trend.
EN
The article is a contribution to the series of studies which investigate the idiostyle of Józef Korzeniowski, including the analysis of similes in 14 works by the writer. The author examines comparative constructions with conjunctions as/like in Korzeniowski’s first novel and distinguishes grading and non-grading comparative statements, as well as textual and associative ones; comparandum and comparatum are also discussed.
PL
Korzeniowski’s novel features different colours (white, yellow, red, green, skyblue (azure), brown, pink, orange, gray and black) that describe and specify the appearance of the protagonists, their places of abode and the surrounding nature. The significance of these ”primary” colours are then complemented with a special vocabulary of light and shade that renders not only the beauty of the characters in the novel but chiefly their emotions and experience. The colours are to distinguish and differentiate the protagonists of the book, who are identifiable by coded references to colours. They are representatives of the local petty gentry, impecunious minor noblemen, who nevertheless live sumptuously and above their station and the colours are to show their bad taste and poor choices. This group is contrasted by a traditionally living family of the Starzyckis, who are faithful to their tradition and live a modest and orderly life, while their ideals concerning order and modesty can be seen even in their dress. Thus, the colours attributed to them and to their environment are to reevaluate virtues, highlight values and those traits of character that the author of the novel considered most important. Fanciful and colourful little things as well as the colours used in the descriptions of nature underline the realism of the setting in the novel. Colours in Kollokacja are mainly evoked in the linguistic creation of the protagonists and their emotions, whereas much more sparingly in descriptions of manors, houses and nature, which emphasizes even more the dominant role of the characters of the novel and the subordinate role of nature and the description of villages and cottages as the setting for the novel.
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