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EN
In this article my main concern is the linguistic evidence for the view that metaphor is conceptual in nature. Since the fact that there is a great diversity of linguistic evidence for patterns of metaphorical thought has been, by and large, not emphasized enough, I overview a variety of such evidence, which can be derived from the study of different aspects of meaning within a particular language, crosslinguistically, and at a metalinguistic level. However, in itself the variety of linguistic evidence, even though it speaks very strongly for the idea that metaphor is conceptual in nature, is not sufficient to justify it. Therefore, recognizing the fact that claims about our conceptual system which are based on linguistic analyses alone remain within the "language - thought - language" circle, the article discusses also some kinds of nonlinguistic evidence for conceptual metaphors. Psycholinguistic research on metaphorical reasoning is presented as a major source of such nonlinguistic verifications. Drawing on Daniel Barenboim's BBC Reith lectures of 2006, it is also argued that convergent evidence from language and music may serve to break open the "language - thought - language" circle.
PL
O znaczeniu wyrażeń językowych w ujęciu gramatyki kognitywnej
EN
The purpose of the paper is the attempt to point one of the most important aspects of the cultural contact of the Poland and Arabic countries with the consideration of the historical perspective. The author assumes that the language is the basic carrier of such contacts and also the main area of the mutual influences. Therefore, she discusses the Arabic and Polish relations mostly on the level of the translation of the literary and scientific output of both sides, as well as the linguistic interference mainly in the aspect of the lexical borrowings. The author quotes many examples of such linguistic contacts and underlines their great meaning in the existence and development of other types of relations: political, commercial, and cultural.
EN
As compared to their purely verbal manifestations, multimodal realizations of image schematic metaphors have received far too little attention in cognitive linguistics than they would deserve. It will be argued that image schemas (Johnson 1987, Talmy 1988), since they are skeletal conceptual structure, afford an excellent source domain for metaphors that are realized verbo-visually in cartoons. The cartoons selected for this study are all by Janusz Kapusta, a Polish artist, whose works have appeared every week in the Polish magazine “Plus-Minus” for over ten years. In contrast to the gestural medium, films and music, where the relevant elements of image schematic source domains of metaphor are never fully available at once, the cartoons give a “snapshot” of a conceptual image which is ready for inspection as a single Gestalt. They are therefore a good testing ground for discussing the question of how the visual and the verbal modality interact in spatialization of abstract ideas. Providing insights into the function of multimodal metaphors and levels of their activation, the discussion contributes to the ongoing debate on the conceptual nature of metaphor and the embodiment of meaning. The results of the study are also considered in relation to the role of verbo-pictorial metaphor in structuring abstract concepts in a creative way.
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