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PL
Artykuł jest jeszcze jedną próbą analizy dwóch znanych polskich zabytków – Zamku Królewskiego i Kolumny Zygmunta w Warszawie. Postawiono w nim tezę, że oba te dzieła wyrażają treści imperialne nawiązując do wzorca stworzonego przez Habsburgów zarówno dla architektury jak i rzeźby, a jednocześnie modyfikując je tak, by odpowiadały konkretnym dążeniom dynastii Wazów.
EN
This essay reconsiders two of the most famous monuments in Poland, the Warsaw Castle and the Sigismund Column. It argues that both evoke imperial themes, with reference to a model provided by the Habsburgs for both the architecture and the sculpture, but present them in ways that specifically express the ambitions of the Vasa dynasty.
ARS
|
2009
|
vol. 42
|
issue 1
128-152
EN
The article offers a revised view of some aspects of the earlier history of art history in the United States that have previously been ignored, downplayed, or represented inaccurately. It presents the story as it unrolled before 1933 as providing precedents and accordingly a context for the reception of Germanic scholarship, among other things for the origins of current interests in a broader, globalize view of art history. It also offers a critique of some outstanding interpretations of the importance and identity of German scholarly emigres (e.g. Josef Strzygowski, Erwin Panofsky, Paul Frankl).
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