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EN
According to Stanisław Lorentz, the collections of Michel Tyszkiewicz, enriched by his excavations in Egypt and Italy, undoubtedly “belonged to the more valuable European collections created in the second half of the 19th century”. After his first journey to Egypt, Tyszkiewicz, enlivened with a passion for excavations, first lived in Naples and then settled permanently in Rome in 1865. As the political situation changed there after 1870 and the new government restrained issuing permits, he started applying for excavation permits in his estate of Birże, in Lithuania (1871). Later, in 1894, he also tried to obtain excavation permits at Olbia, in Southern Russia, but this time unsuccessfully. His unpublished letters to the famous German scholar Wilhelm Froehner (1834–1925), now in the Goethe und Schiller Archiv in Weimar, throw a new light on the discoveries that took place in Boscoreale and in Lake Nemi and on his purchases there, as well as on his great enterprise in relation to the Satricum excavations in 1896, from which he was excluded after discovering the trace of “thousands of different votive objects”.
PL
Michał Tyszkiewicz był wybitnym kolekcjonerem antyku oraz pionierem polskich wykopalisk w Egipcie, prowadzonych na przełomie 1861 i 1862 r., które zaowocowały hojnym darem 194 antyków egipskich do Muzeum Luwru w Paryżu. Jego nazwisko jest dzisiaj wygrawerowane w rotundzie Apollina pośrod głównych donatorów. W 1865 r. Tyszkiewicz na stałe osiedlił się w Rzymie, gdzie do 1870 r. prowadził wykopaliska archeologiczne. Kolekcjonował starożytne gemmy, numizmaty, ceramikę, wyroby ze srebra, złotą biżuterię, rzeźby w brązie i w marmurze. Jego zbiory należały do cenniejszych kolekcji europejskich jakie powstały w 2. poł. XIX wieku. Dzisiaj są one rozproszone w ponad 30 najważniejszych muzeach na świecie, m.in. takich jak British Museum w Londynie, Ny Carlsberg Glyptotek w Kopenhadze, Metropolitan Museum of Art w Nowym Yorku, czy Museum of Fine Arts w Bostonie. Ostatnie badania nad korespondencją M. Tyszkiewicza do niemieckiego uczonego dra Wilhelma Froehnera wykazały, że Tyszkiewicz prowadził szeroką działalność na rzecz rozwoju archeologii i epigrafiki; unikaty z jego kolekcji były prezentowane podczas sesji w Academia dei Lincei w Rzymie, czy w Académie des Inscriptions et Belles-Lettres w Paryżu, oraz publikowane przez uczonych włoskich, francuskich, austriackich i niemieckich. Przez swych współczesnych był uważany za eksperta w dziedzinie gliptyki, a specjaliści naszych czasów, w uznaniu dla jego zasług, nazwali pewną grupę antycznych cylindrów-pieczęci „Grupą Tyszkiewicza”, egipski posążek z czarnego bazaltu „Statuą Tyszkiewicza”, a nieznanego malarza waz greckich żyjącego w V w. p.n.e. mianowano „Malarzem Tyszkiewiczem”.
EN
Michał Tyszkiewicz was an outstanding collector of antiquities and a pioneer of Polish archaeological excavations in Egypt conducted in late 1861 and early 1862, which yielded a generous donation of 194 Egyptian antiquities to the Paris Louvre. Today Tyszkiewicz’s name features engraved on the Rotunda of Apollo among the major Museum’s donors. Having settled in Rome for good in 1865, Tyszkiewicz conducted archaeological excavations there until 1870. He collected ancient intaglios, old coins, ceramics, silverware, golden jewellery, and sculptures in bronze and marble. His collection ranked among the most valuable European ones created in the 2nd half of the 19th century. Today, its elements are scattered among over 30 major museums worldwide, e.g. London’s British Museum, Ny Carlsberg Glyptotek in Copenhagen, New York’s Metropolitan Museum of Art, or the Museum of Fine Arts in Boston. The latest investigation of M. Tyszkiewicz’s correspondence to the German scholar Wilhelm Froehner demonstrated that Tyszkiewicz widely promoted the development of archaeology and epigraphy; unique pieces from his collections were presented at conferences at Rome’s Academia dei Lincei or at the Académie des Inscriptions et Belles-Lettres in Paris, and published by Italian, French, Austrian, and German scholars. He was considered an expert in glyptic, and today’s specialists, in recognition of his merits, have called a certain group of ancient cylinder seals the ‘Tyszkiewicz Seals’, an Egyptian statue in black basalt has been named the ‘Tyszkiewicz Statue’, whereas an unknown painter of Greek vases from the 5th century BC has been referred to as the ‘Painter Tyszkiewicz’.
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