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PO CO PIOSENCE POEZJA TUWIMA

100%
Traczyk M.
Prace Polonistyczne
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2020
|
vol. 75
EN
The article examines how Tuwim’s poems have been used in songs and the reasons why these literary texts are constantly, though not excessively, present in the works of successive generations of popular music composers. The author argues that Tuwim’s poetry is still valid and topical; it meets the changing expectations of the audiences and offers ready solutions to the problems of the contemporary world.
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Pamięć i zapomnienie wpisane w zaśpiewane wiersze (na przykładzie Haliny Poświatowskiej)

100%
Traczyk M.
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
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2020
|
vol. 1
|
issue 2
EN
With two music projects to poems by Halina Poświatowska, the text shows how the song saves poetry from oblivion. Małgorzata Bańka and Janusz Radek identify with the poet's work, but their approach to her texts reflects two extreme poles. Bańka’s album is an example of a traditional approach to poetry, full of respect for a poetic word, Radek’s project – an active approach, poetic text is in this case a starting point, a material with which the artist can do practically everything.
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