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1

Świat z deficytem czarów. Sylwia Chutnik: W krainie czarów. Kraków, Społeczny Instytut Wydawniczy Znak, 2014, ss. 257

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Karolak S.

Narracje o Zagładzie

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2015

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issue 1

PL

The world with a shortage of wonders. Sylwia Chutnik: W krainie czarów. Kraków, Społeczny Instytut Wydawniczy Znak, 2014, ss. 257.The author discusses W krainie czarów (2014), the most recent collection written by Sylwia Chutnik. She indicates that the book features the themes which are familiar from the previous works of the writer: the matters associated with women, the history of Warsaw (its past and present), the Warsaw Uprising. However, the author of the review at the same time emphasises that W krainie czarów may be considered a unique entry in Chutnik’s literary oeuvre. It may be so not only due to the personal, almost confessional character of the eponymous story which opens the book but above all due to the fact that in W krainie czarów the Shoah assumes the importance of a separate theme, thus becoming apart from the Warsaw Uprising the second war area which is explored by the author of Łączniczki.

2

„To nie jest poezja w całym słowa tego znaczeniu”. Pieśni żałobne getta Izabeli Gelbard

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Karolak S.

Poznańskie Studia Polonistyczne. Seria Literacka

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2018

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issue 32

113-128

EN

The main purpose of this article is to analyse the reception of Izabela Glebard’s (Czajka-Stachowicz’s) works, with particular emphasis on her only book of poety Pieśni żałobne getta . At first Gelbard intentionally chooses poetry, but after the experience of World War II, she leaves it completely and repleces by prose. The root cause of this state of affairs is the war trauma. Very important is also the critical attitude of the writer to her poems. These works have not been appreciated by literary critics who treat them as a document and testimony rather than a valuable poetry. It seems that the Gelbard poems, like all her works, are waiting for a new, contextual reading.

3

„Luki historii domagają się domknięcia, a przede wszystkim opisania”. Literatura węgierska wobec Zagłady w latach 1944–1948

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Karolak S.

Porównania

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2021

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vol. 29

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issue 2

431-441

EN

The author discusses Kinga Piotrowiak-Junkiert’s book From Idyll to Irony. Hungarian Literature on the Holocaust between 1944–1948 (Adam Mickiewicz University Press, Poznan 2020).

PL

Autorka omawia książkę Kingi Piotrowiak-Junkiert, Od idylli do ironii. Literatura węgierska wobec Zagłady w latach 1944-1948 (Wydawnictwo Naukowe UAM, Poznań 2020).

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„Nadchodzi wielki tebk …”. Edgara Hilsenratha opowieść o ludobójstwie

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Karolak S.

Slavia Occidentalis

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2015

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issue 72/2

95-104

PL

The author discusses the issue of the presence of the Holocaust in Edgar Hilsenrath’s novel “The Story of the Last Thought”. Hilsenrath is a Holocaust survivor, and that experience allows him to write about the Armenian genocide, but also affects the substance of his book. It turns out that one can notice similarities not only in the causes and process of each of the genocides, but also in the reaction of the world, which was one of silence. The author states that the silence about Armenian genocide has not been broken. This condition is one of the reasons for the absence of books about the Armenian genocide in the consciousness of readers and entire societies.

Refine search results

1 Narracje o Zagładzie

1 Porównania

1 Poznańskie Studia Polonistyczne. Seria Literacka

1 Slavia Occidentalis

4 Karolak S.

1 2021

1 2018

2 2015

Świat z deficytem czarów. Sylwia Chutnik: W krainie czarów. Kraków, Społeczny Instytut Wydawniczy Znak, 2014, ss. 257

„To nie jest poezja w całym słowa tego znaczeniu”. Pieśni żałobne getta Izabeli Gelbard

„Luki historii domagają się domknięcia, a przede wszystkim opisania”. Literatura węgierska wobec Zagłady w latach 1944–1948

„Nadchodzi wielki tebk …”. Edgara Hilsenratha opowieść o ludobójstwie