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Vilnius’s Comoedia – Another Link in the History of the Avant-garde

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Szawerna-Dyrszka A.
Tematy i Konteksty
|
2020
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issue 1
488-497
EN
The aim of the article is to discuss the magazine Comoedia dedicated to art and culture. From the start, Comoedia attracted contributions from eminentfigures in letters and the arts. However, until now the monthly periodical has been described as a magazine devoted only to the theatre. The author of the article proves that Comoedia is “a missing link” in the chain of the Polish avant-garde movement in literature.
2
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Siedemnastowieczna Litwa w najnowszej prozie litewskiej O powieści Silva rerum Kristiny Sabaliauskaitė

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Szawerna-Dyrszka A.
Śląskie Studia Polonistyczne
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2017
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vol. 10
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issue 2
173-185
EN
The novel Silva rerum has become a bestseller in Lithuania, although it seems that – as a work contesting the Lithuanian national myth – it did not stand a chance to gain such popularity. It was issued for the first time in 2008 and several re-editions have been released so far. The story of the noble family of Narwojsz, presented in Silva rerum covering the years 1659–1667, turned out to be extremely attractive not only for the Lithuanian reader. The novel has become a bestseller also in Latvia and Estonia. In Poland, it did not get such a large publicity, however – perfectly translated into Polish by Izabela Korybut-Daszkiewicz and published in 2015 – it gained great attention of readers and critics. The author of the article wonders what features decided about the reading success of Silva rerum. She analyzes the baroque stylization of the novel, in which, on many levels, the excess meets with asceticism. She looks at the phenomenon of micro-history, which consequently pushes the “great history” to the background (which is unprecedented in the tradition of the Lithuanian historical novel). She shows how Kristina Sabaliauskaitė transforms the authentic space of Vilnius, capturing the specific genius loci of this city and masterfully combining fiction with geographical and historical reality. 
3
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Orthography beyond belief. A case of Stanisław Baczyński

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Szawerna-Dyrszka A.
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2022
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vol. 64
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issue 1
355-367
PL
Artykuł podejmuje problem używania majuskuły w nazwach religijnych, w kontekście pracy edytorskiej nad niedokończonym maszynopisem Stanisława Baczyńskiego zatytułowanym Propozycje. Nowa kultura – nowa cywilizacja. Autor zapisywał słowa takie jak Kościoł (w znaczeniu instytucji, ogółu wiernych), Boży, Chrystusowy (jako przymiotniki dzierżawcze) niekonsekwentnie – raz dużą, raz małą literą (z przewagą stosowania minuskuły). Autorka artykułu (jednocześnie edytorka rozprawy Baczyńskiego) analizuje dzisiejsze, a także współczesne Baczyńskiemu normy ortograficzne i na tej podstawie podejmuje decyzję o pozostawieniu niekonsekwencji w zapisie słów związanych z religią. Uważa je bowiem za rezultat zderzenia ateistycznego światopoglądu z represywną funkcją ortografii, a jednocześnie za dowód językowych zmagań autora, wiele mówiący nie tylko o procesie tworzenia, ale też o idei dzieła.
EN
The article deals with the use of majuscule in religious terms in the context of editing the unfinished typescript of Stanisław Baczyński’s Propozycje. Nowa kultura – nowa cywilizacja. The author spelled the words such as Kościoł (as an institution, a population of worshippers), Boży, Chrystusowy (as possessive adjectives) inconsistently – once in uppercase, once in lowercase (the latter more frequently). The author of the article (and the editor of Baczyński’s work) analyzes orthographic norms, both present ones and those contemporary with Baczyński, and on this basis decides to leave unchanged the spelling inconsistencies in religion-related words. These inconsistencies are considered a result of the clash between the atheist worldview and the repressive function of orthography, and at the same time a proof of the author’s linguistic struggle, telling a lot not only about the creative process, but also about the idea of the work.
4
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Wileńskie pismo „Comoedia” – jeszcze jedno ogniwo awangardy

100%
Szawerna-Dyrszka A.
Tematy i Konteksty
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2018
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vol. 13
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issue 8
293-303
EN
The article describes the Vilniusian paper dedicated to art and culture called “Comoedia”. Until now, this monthly magazine has been described as a theatrical paper between 1938-1939. The author of the paper justifies the argument, that the periodical being the last published initiative of “Walking Wolf”, is an unnoticed “missing link” so far-considering the chain of the Polish interwar avant-garde in literature.
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