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PL
Aside and in a Slot against the Terror of the FactThe text is an extensive review of the book by Aleksandra Ubertowska  titled “The Holocaust. Auto (tanato) graphies.” It underlines, first of all, topics related to the diversity of possible representations of the Annihilation and the revision of the views of the researchers who approach fictionalisation of that event in an orthodox way. The author tries to approach critically Ubertowska’s concept as well as her outlook on representations of the Holocaust. She also looks at the terminology used in the book and seizing the opportunity she presents attitudes of other researchers dealing with this subject, which are very far different from each other sometimes. Therefore the text broaches such issues as: inexpressibility of the Holocaust, ethics of representation, postmemory, dual status of a historian and a participant.
EN
In this text I’m trying to discredit the discourse associated with the ineffability of liminal experiences (especially in the broad sense of war and its derivatives). I’m dealing with newer (modern) history, including the phenomenon of wartime images being given awards at the World Press Photo competition. What is important to me is Frank Ankersmit’s thought, referring to correspondence history and aesthetics. I’m also writing about game and play categories in thinking about history in contemporary literature and social media (fan pages on Facebook).
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