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EN
The main object of the article is an attempt to answer the question about the limits of freedom and independence of professional designers. It seems to be important, especially now, when we can observe how creative industries provide to innovative development of society and to competitive advantage. Is it possible to have autonomy being a designer? Referring to B. Bourdieu’s field theory and idea of socially responsible design (Papanek, 2012) it will be shown the context of this profession as a balance of power between the individual actors (designers, client, users, society) in the field of design. Object of the present text is description of the designer’s profession in relation to the subjectively perceived degree of professional independence. The example used to analyze this issue are interviews conducted among British designers from Helen Hamlyn Centre for Design.
EN
The main goal of this article is to present the contemporary designer’s profession in the scope of its personal definition of ethic and social responsibility. In order to deal with, it will be showed some empirical data from own sociological research conducted among Polish professional designers. The opinions have described their attitude to the problem and made possible endeavoured to place collected opinions in broader, relational context of this profession. To bring more clearity to the matter, there will be also presented the definition of design, differentiation of roles undertaken by contemporary designers and their influence on shaping the material environment of human life.
EN
Pokazywanie historii i zachęcanie do jej odkrywania nie należy do zadań łatwych. Wymaga to nie tylko me- rytorycznej poprawności, lecz także zrozumienia dla odbiorcy, którego cechować mogą różne kompetencje, wrażliwość oraz osobiste doświadczenia powiązane z losami społeczności. Gdy historia jest nieco zapomniana lub nie jest wolna od różnych ocen i interpretacji, zadanie to wymaga szczególnych umiejętności. Coraz czę- ściej do grona specjalistów pracujących nad takimi opracowaniami zaprasza się designerów. Ich zadaniem jest znalezienie takiej formy i sposobu dotarcia do odbiorcy, aby zachęcić i ułatwić percepcję informacji. Celem niniejszego tekstu będzie pokazanie możliwości współczesnego projektowania w odniesieniu do promowania historii na przykładzie Będzina i losów zamieszkującej tam niegdyś licznie społeczności żydowskiej.
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