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Trzy odsłony ekspresji

100%
Diametros
|
2011
|
issue 28
101-104
PL
Recenzja książki Leszka Sosnowskiego, Sztuka. Retoryka. Fizjognomika. Studium z filozofii ekspresji, Collegium Columbinum, Kraków 2010.
EN
Review of a book: Leszek Sosnowski, Sztuka. Retoryka. Fizjognomika. Studium z filozofii ekspresji, Collegium Columbinum, Kraków 2010.
EN
In the Statesman and the Symposium Plato proposes two different ways to reach the Truth. Upon comparing them so many similarities can be found that one may conclude that Plato is in fact presenting only one way, although he describes it in two different manners. It is only a teacher with his student or a beloved with a lover who can follow this way. The goal is the light of the highest Idea. I will present the ontological, semiotic and axiological aspects of my conclusions.
EN
The intention of this article is provide a preliminary comparison of two areas of music which are frequently associated with one another – in pieces of opinion journalism, in reviews, and sometimes on the stage – however, contrary to superficial intuitions, they differ from each other considerably – not only in their cultural sources and philosophical premise but also in the final sound-related and music-related result, which may be heard during concerts. Both musical trends are a result of ideological transformations within the world of music, but the reasons for which they arose are extremely different. Let this article serve the purpose of posing questions and making an attempt at outlining the differences between World Music and Sound Art.
EN
According to numerous contemporary studies, the Russian-Ukrainian conflict and the hybrid war waged by Russia have generated a huge quantity of propaganda primarily in social media, such as Facebook, Instagram and Telegram. These tools are the easiest, fastest, cheapest and most effective way to reach millions of recipients who are (consciously and unconsciously) authors of propaganda content, administrators, participants of various discussion groups and readers. This is one of the reasons why, after the invasion began in Russia, many websites used for communication and building online communities were blocked. However, the problem also lies outside the “Russian Internet”, as, apart from Lithuania, Latvia and Estonia, no other post-Soviet country has confirmed the existence of its secret services. We may therefore discover that Russian influence in the “information noise” surrounding the war is significant.
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