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1

Zjawy, upiory, sobowtóry... „Romantyczne” transgresje w powieści Podobojí Danieli Hodrovej

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Balcerzak M.

Poznańskie Studia Slawistyczne

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2011

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issue 1

EN

This article concentrates on the problem of transgression in the novel Podobojí by Daniela Hodrová. This problem is tracked from the perspective of romantic and post-romantic references to the literary and historical tradition (e.g. the Czech National Revival). One of the key concepts here is death and the metaphor of doubling, which makes the characters in the novel ontologically ambiguous entities. Death is treated in a confrontation with romantic themes, such as the ghost, ghoul, and the double.

2

„Je to hra, v níž každý váš pohyb je v centru silového pole...”. O kapilarności władzy w powieści „Lehni, bestie!” J. Kratochvila

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Balcerzak M.

Poznańskie Studia Slawistyczne

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2013

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issue 5

EN

This article is a critical analysis of the discourse of power represented in the postmodern narrative. In this perspective, the Czech writer’s book creates a special study of the ‘genealogy of power’ (in relation to the concept of Michel Foucault). It arises from the combination (by using of the social-fiction literary convention) that regards the story of two symbolic forms of violence, supporting ‘sacred’ process of ‘subjugation’ of the entity (the past regime and, as result of trauma, the present and the future regime). The first form is a result of disciplinary authority of the communist system (a reference to the history of the Czech history – the period of the radicalization of the regime in the 50s of the twentieth century). The second one exemplifies the postmodern capillary violence (a reference to the terrorist attack on the World Trade Center). In this analysis, the impact of the power dissipated in the human consciousness resembles chess game, used in the story of Kratochvil in order to express a dramatic situation in which the rate is the annexation of subjectivity.

PL

This article is a critical analysis of the discourse of power represented in the postmodern narrative. In this perspective, the Czech writer’s book creates a special study of the ‘genealogy of power’ (in relation to the concept of Michel Foucault). It arises from the combination (by using of the social-fiction literary convention) that regards the story of two symbolic forms of violence, supporting ‘sacred’ process of ‘subjugation’ of the entity (the past regime and, as result of trauma, the present and the future regime). The first form is a result of disciplinary authority of the communist system (a reference to the history of the Czech history – the period of the radicalization of the regime in the 50s of the twentieth century). The second one exemplifies the postmodern capillary violence (a reference to the terrorist attack on the World Trade Center). In this analysis, the impact of the power dissipated in the human consciousness resembles chess game, used in the story of Kratochvil in order to express a dramatic situation in which the rate is the annexation of subjectivity.

3

Rojaliści i Krasnoludki wychodzą na ulicę. Kultura kontestacji w działaniach ruchu České děti i Pomarańczowej Alternatywy

100%

Balcerzak M.

Poznańskie Studia Slawistyczne

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2014

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issue 6

EN

This article is an attempt to compare two contestation models, that occurred in the activities of new social movements formed in the 80s of the twentieth century in Czechoslovakia and Poland (Czech Children and Orange Alternative). Both movements are the examples of the changes taking place in the process to form of political and social opposition to the communist regime. The article describes the relationship between political commitment and understanding of the aesthetic function (influence of surrealism) in the culture of opposition.

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3 Poznańskie Studia Slawistyczne

3 Balcerzak M.

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Zjawy, upiory, sobowtóry... „Romantyczne” transgresje w powieści Podobojí Danieli Hodrovej

„Je to hra, v níž každý váš pohyb je v centru silového pole...”. O kapilarności władzy w powieści „Lehni, bestie!” J. Kratochvila

Rojaliści i Krasnoludki wychodzą na ulicę. Kultura kontestacji w działaniach ruchu České děti i Pomarańczowej Alternatywy