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Рождество и Крещение как символы поэтического творчества: евангельские мотивы в поэзии русского метареализма

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Severskaâ O.

Stylistyka

2020

vol. 29

329-343

Christmas and Baptism as symbols of poetic creativity: Evangelical motifs in the poetry of Russian metarealism and the 21st centuries. The author considers the “Epiphany” and “Christmas” images in the lyrics of Yevgeny Daenin, Ivan Zhdanov, Alexei Parshikov, Sergey Solovyov, correlating them both with the text of the Holy Scripture and with the poetic tradition of “Christmas verses” of the 19th century and two boundary periods (the 19th-20th and the 20th-21st centuries), in which the search for the “painful and unsteady” image of God is manifested with a particular force. Traditionally, in poetry there is an intimization of Christmas and Epiphany: so, these events are not perceived as being external, but as internal, occurring in a person’s soul. This is true of all Russian contemporary poetry. And metarealism is no exception. The article sequentially explores (using the hermeneutic method, semantic, intertextual and content analysis) verbal images and motifs associated with Baptism, Epiphany and Christmas. In the interpretation of the evangelical stories, metarealists proceed from the ideas of the divine Word-Logos, embodied in words. Baptism and Epiphany are associated with the Word’s Appearance to the People, their baptism in the Speech as a River, which at the same time becomes synonymous with Christmas and Nativity, the birth of the “mortal” word and the beginning of its Way of the Cross. Poetry is perceived by metarealists as climbing Golgotha, “the crucifix of the throat”. The poet has three hypostases in their texts: the “wise Thief” who ascends to “paradise” by God’s will, but is capable of performing the sacrament of baptism with the “verb fire”; “Carpenter”, “Joseph”, stepfather of the “God-born baby”-text; builder, governor of Heavenly Jerusalem and leader of the “Heavenly Host” of words. Analyzing the concept of Speech as a “Homing,” the author comes to the conclusion that metarealists are not so much engaged in “God-seeking” as they are developing M. Heidegger’s theory of language as a “house of being” and of existing and being.

„Речевая память” языка и спонтанная рекурсия стилистической нормы

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Severskaâ O.

Stylistyka

2019

vol. 28

41-52

The article documents cases of grammatical, phonetic and lexical “irregularities” occurring in modern Russian. The conclusions are based on analysis of the National Corpus of the Russian Language and internet queries. The author pays special attention to phrases indicating time relations: “for some time” / “after what time”. It is noted that there is an “older” and “younger” standard for using collocations with the lexeme „time” and prepositions, and the change in the norm resulted from the transition from treating space-time as an abstract, uniform chronotope to the idea of time as a discrete quantity, i.e. certain fragmented, countable sections (century, year, month, day, hour, minute, second). Research has shown that discrete forms denoting time began to dominate from the mid-nineteenth century, which is related to the changes in the image of the world taking place at that time. The old ways of speaking about time, however, still appear in modern Russian. The article shows that other lexical and inflectional archaisms (e.g. short forms of adjectives) are also returning to modern speech. This can be considered a manifestation of social linguistic memory, which involves having the ability to recall and use old forms or meanings, according to norms that used to be applied in the past. The author proposes that this phenomenon be called “spontaneous recurrence of the norm”. It is claimed that such recurrence of the old norm may be caused either by speakers’ ignorance of the current norm or by their desire for a “retro” style that results from fashion or manners. It could also be a manifestation of “language refreshment” through the activation of speech memory, or retrieving former forms and old standards out of the “subconscious” of language users.

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Рождество и Крещение как символы поэтического творчества: евангельские мотивы в поэзии русского метареализма

„Речевая память” языка и спонтанная рекурсия стилистической нормы