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EN
This article’s aim is to follow new directions in musicology research, that aspire to be interdisciplinary in character and to focus on cultural, analitical and critical approach to music. Almost entirely unknown to Polish readers, this research, defined as “new” musicology, refers to ethnomusicology and sociology of music’s outputs, and tries to apply some of the methods used in those disciplines to analyze classical Western music. Feminist musicology, on which I focus the most, is a still evolving, very popular in the US and at the same time very wide field of study. It’s analyses, although they are sometimes ideological, are one of the most interesting examples of widening the frames of traditional musicology, that are worth knowing. Not assuming to exhaust the topic, I find it crucial to outline the fields of research for this discipline.
PL
Gender and musical cultures – ethnomusicological and historical research in the perspective of cultural studies This article’s aim is to show the importance of the usage of gender category in the analyses of musical cultures. In order to do that, the author shows how crucial gender is in ethnomusicological theories, as well as in social hierarchy theories. All that to see gender as a part of the person’s identity, and also as a part of the whole experience of one’s life in the society. By closely analyzing circumstances that influence the life of a musician or any other individual we can understand their actions, their place in the musical culture, the reasons their work was seen the way it was. And those circumstances include gender experience. Gender, as one of many elements of social hierarchy, is to be seen as a factor that cannot be overlooked or ignored.
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