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EN
In the light of hitherto studies, Franciszek Zabłocki is perceived as a not fully independent poet, who willingly used stylistic patterns borrowed from his mentors – Adam Naruszewicz and Ignacy Kraszewski. However, detailed information regarding stylistic borrowings are difficult to find. The article is fully devoted to the above issue. It deals respectively with such concerns as: coexistence of the founders of the aforementioned “Naruszewicz’s school” in the poetry, which means, also of Zabłocki himself, as well as baroque and classicist style, new formed words: compound words, rhetoric figures, allegoric images, animizations and personifications, syntactic inversion, tendency to pointing and applying proverbs and common sayings in poetry.
EN
In the first part of the paper devoted to the multidimensional analysis and interpretation of the novel by Reif Larsen, I show that the liberary optics will allow its optimal reading. The analysis of the form of this work, its “flesh”, was carried out in relation to the proposals of Zenon Fajfer and Katarzyna Bazarnik — the founders of the liberature theory, which centres its interest on the materiality of the book as a physical object, focusing on the integrity of the form of the recording with the content conveyed. Selected anatomical details of a liberary text are its “external” characteristics, manifested mainly in the shape and the structure of the book, as well as in the related field of intermedia. I have established that the media conveying the meaning of The Selected Works of T.S. Spivet are: the text and the material form of the book, forming an organic whole; all its elements, including the non-verbal ones, are the media of its meaning. The important elements include, among others, its format imitating the shape and dimensions of a popular American spiral notebook; increased spacing mimicking printing rulings; multi-topic marginalia; a small font size — reflecting the handwriting of a young cartographer; numerical values (e.g.: the dimensions of the volume, the number of chapters, the numbering contained in infographics, the numbering of exhibits displayed on the cover and the website); transtextual operations (e.g.: intertextual quotation-motto, hypertextual graphic references to Moby Dick by Herman Melville or the metatextual reference to the philosophy of Plato).
EN
The paper presents the inculturatory threads included in the work of Wacław Sierakowski, a canon from Cracow, entitled Rękodzieło Fabryki Sukienney… (Cracow 1797). The context indicated in the title is closely related to the work ethos presented in this publication. Although Sierakowski does not define outright the term “work”, his considerations contain numerous discernible references to related concepts and categories, such as human needs which are man’s driving force and associated types of motivation. Above all, however, he shows the impact of work on quality of life, described on the basis of the functions which labour fulfils. Writing about benefits of the founding of a factory, Sierakowski creates a contextual catalogue of work-related values in genere. The first part of Rękodzieło is dominated by reflections on benefits flowing from work of human hands, especially the cultural and social function of labour as an activity that requires communication and cooperation between individuals and groups.
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