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David Jones and the Self-Conscious Uses of Tradition

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Potter M.

Romanian Journal of English Studies

2013

vol. 10

issue 1

263-270

This paper will explore the way that the poetry of David Jones, while generally recognised as being modernist, nevertheless promotes a continuation of the Western literary tradition (as opposed to more revolutionary strands of modernism), but does this while introducing a self-conscious understanding of the role and workings of tradition, an element lacking in pre-modern traditional literature. Other figures with a similar interest in the viability of a self-consciously understood practice of (literary or philosophical) tradition, in continuity with pre-modern tradition, but in modern conditions (Thomas Mann, John Henry Newman, Alasdair MacIntyre), will also be discussed.

The Truth of Art in David Jones and Hans-Georg Gadamer

100%

Potter M.

Romanian Journal of English Studies

2012

vol. 9

issue 1

321-334

I shall examine the theory of art developed by David Jones, the twentieth-century Anglo-Welsh poet and artist (especially in his essay “Art and Sacrament”), in the light of a comparison with the theory of art propounded by Hans-Georg Gadamer, the twentieth-century German philosopher in the phenomenological tradition (especially his essay “Die Aktualität des Schönen”), not claiming influence, but highlighting striking parallels.

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David Jones and the Self-Conscious Uses of Tradition

The Truth of Art in David Jones and Hans-Georg Gadamer