The paper proposes a reading of romance in terms of postmodernism by establishing a connection between feminism and postmodernism’s questioning of historical and cultural representation. The aim is to reveal how history, no longer governed by the urge to find the “truth”, gives prominence to the uncertain, the extraordinary, the fantastic, which are the main ingredients of romance.
This paper attempts an analysis of Manju Kapur’s Difficult Daughters from the perspective of mother-daughter relationships. Starting from the assumption that the mother plays a crucial part in socialising children into traditional gender roles, I will focus on family relations and women’s quest for identity in an Indian society set against the backdrop of Partition.
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